We get to see swathes of photography on a weekly basis and mostly we are spoilt for choice as to what to show you all. But every now and then we stumble across a photographer that stops everyone in their tracks, and so it was with Christophe Negrel’s powerful Senegal series.
The series almost immediately begins to subtly etch itself into your mind’s eye, developing into a collection of pictures conveying atmospheric strength. By stepping away from being purposefully shocking, Christophe focuses his lens and the viewers’ attention towards the humanity, subject and personality of the people in front of the camera. Christophe therefore ingratiates us into a culture that is recognisably tender, loving, harsh and, at times, violent – full of the emotional highs and lows shared by everyone.
- The creative team behind John Grant’s post apocalyptic world
- They have beauty, they have grace, they are Jack Mears’ ceramic dogs
- Caroline Tompkins captures the smell of chlorine and anticipation
- Illustrator Jan Robert Duennweller's erratic style creates "visual headlines"
- Réka Neszmélyi's boundary breaking identity for Hungarian Bánkitó Cultural & Music Festival 2016
- Five things to remember as a young creative
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale