Sometimes it’s easy to get carried away with modern life, perched happily on the apogee of human innovation in a tech-savvy world of comfort and convenience. What that kind of flabby mindset needs is a reality check, and Colors magazine has just the thing. The latest issue in its ongoing survival series is a guide to the big-one – apocalypse and how best to get through one.
The cheerful write-off on the website points out: “Civilization could end in a hundred ways. Yet the relentless onslaught of disaster prophecies leaves you overwhelmed, exhausted and unsure who to believe.” Fair point, but luckily for those of us afflicted with this so-called “apocalypse fatigue” help is here with a one-stop guide to riding out the worst things in the world.
The drawback though is that if you do need something to burn during a nuclear attack or a flash flood, this magazine is just far too beautiful to sacrifice. A lovely intricately-illustrated monochrome poster-cum-cover leads into the crisp, clear content, with the designers making excellent use of some stunning photography. A seriously good-looking treatment of this uber-dramatic subject matter.
- Iris Erlings’ delicate drawings are inspired by the works of modernist sculptors
- Node Berlin Oslo talks through its redesign of Haus der Kulturen der Welt
- A closer look at five creatives speaking at Design Indaba 2017
- Anxiety, speed and rave flyers: artist Mark Leckey on his iconic video "Fiorucci Made Me Hardcore"
- We speak to Lovetrue director Alma Har’el about her surrealist short film for The Fifth Sense
- Adventures in Typography: Spin’s new book about its creative process
- UN Women Egypt releases intricately illustrated print ads to highlight gender divide at work
- Chinese photographer Ren Hang has died aged 29
- Designer Lennart Van den Bossche’s typographic work combines "logic and beauty"
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Miffy creator, author and illustrator Dick Bruna dies aged 89
- Photographers Kelia Anne MacCluskey and Luca Venter explore the limits of reality