Sometimes it’s easy to get carried away with modern life, perched happily on the apogee of human innovation in a tech-savvy world of comfort and convenience. What that kind of flabby mindset needs is a reality check, and Colors magazine has just the thing. The latest issue in its ongoing survival series is a guide to the big-one – apocalypse and how best to get through one.
The cheerful write-off on the website points out: “Civilization could end in a hundred ways. Yet the relentless onslaught of disaster prophecies leaves you overwhelmed, exhausted and unsure who to believe.” Fair point, but luckily for those of us afflicted with this so-called “apocalypse fatigue” help is here with a one-stop guide to riding out the worst things in the world.
The drawback though is that if you do need something to burn during a nuclear attack or a flash flood, this magazine is just far too beautiful to sacrifice. A lovely intricately-illustrated monochrome poster-cum-cover leads into the crisp, clear content, with the designers making excellent use of some stunning photography. A seriously good-looking treatment of this uber-dramatic subject matter.
- Hippolyte Cupillard’s film follows the dreamlike ascent of a mountain climber
- Meet the speakers: Frances Corner, Yukai Du, Akinola Davies and Simon Landrein
- Illustrator Antoine Cossé talks about the highs and lows of creating comic books
- How Greg Barth and Droga5’s surreal, retro-futuristic ad for MailChimp was made
- Llewellyn Mejia's paintings created in between commercial projects
- Robert Nicol’s brutish but spirited illustrations spanning artistic mediums
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Carlota Guerrero depicts the female body as a canvas for Apartamento (NSFW)
- After Disney, Nickelodeon and Cartoon Network, Miranda Tacchia’s characters found life on Instagram
- How to go freelance: need-to-know advice from creatives who made it
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris