We feature a fair amount of poster deign here on It’s Nice That but in the pell-mell rush for aesthetic appreciation it’s rare to take time out to consider how this particular design discipline works. Luckily the Cooper Hewitt Museum in New York has forced our hand with its new show How Posters Work. Displaying 125 of the museum’s 4,000-strong collection, the aim of the exhibition is to illustrate how poster designers go about maximising the potential of the medium.
To this end the show is organised in 14 subsections with relevant examples demonstrating each theme, which are focus the eye; overwhelm the eye; use text as image; overlap; cut and paste; assault the surface; simplify; tell a story; amplify; double the meaning; manipulate scale; activate the diagonal; make eye contact and make a system.
Those featured range from classic designers of the early 20th Century to some of today’s leading practitioners and the museum’s director Caroline Baumann calls it “a true visual feast.” She continues: “This exhibition reveals the design techniques behind some of the most iconic and beloved posters in the museum’s collection, from the hard-edged designs of Ladislav Sutnar to the ever popular psychedelic posters of the 1960s, which epitomise sensory overload.”
How Posters Work runs from 8 May to 15 November.
- Standards Manual return with catalogue of 400 objects relating to New York City Transit
- Emma King's publication rewrites Orwell's "1984" using Donald Trump's tweets
- It’s a new dawn, it’s a new day – it’s Best of the Web!
- Bolade Banjo photographs the perseverance of Detroit’s student athletes
- Alex Grigg animates Steve Stoute’s homage to Biggie Smalls
- Billy Clark applies his graphic sensibilities to his minimal yet textured illustrations
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books