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A blue-toned illustration of a person in a black latex outfit, bound with ropes and chains to a chair. They are positioned in front of a page of text with a headline that reads “Bondage Society’s Gala to Transport Slave Ball”.
A blue-toned illustration of a person in a black latex outfit, bound with ropes and chains to a chair. They are positioned in front of a page of text with a headline that reads “Bondage Society’s Gala to Transport Slave Ball”.

“Counter-culture fair” Cultural Traffic opens in Shoreditch [NSFW]

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Date
6 October 2016

On Friday and Saturday, the UK’s “first annual fair for dealers in counter culture and independent producers of zines, prints, catalogues, vinyls and tapes” will take over old Truman Brewery in Shoreditch.

Organised by Toby Mott, formerly a founding member of disruptive artist collective the Grey Organisation and now one of punk’s leading enthusiasts and historians (as well as an artist, fashion designer, editor and founder of political punk archive the Mott Collection), Cultural Traffic will shelve out-of-print material and cultural artefacts alongside contemporary print publications.

Amongst the long list of contributors are Angel Rose, Born Free Press, Ditto, Hate magazine, Fanpages, Ram Books Vintage Erotica, Scott King, Skin Deep, William Ling Fine Art, The Photocopy Club and Rogue materials — a presentation of Sex Pistols printed matter by radical artist Jamie Reid.

“Cultural Traffic is not just an arts fair for paper but a celebration of ideas and expression,” Toby Mott explains. “Cultural Traffic will pave the way for exposure and engagement in radical print now.”

A black and white photograph shows one person tying another to a door with a rope. The person being tied wears patterned underwear, while the other wears a dark top, satin shorts and stockings. Above them, large letters read “FEM-DOM”.
Above

Soho Typescripts, courtesy of Ram Books

A psychedelic poster featuring a close-up, high-contrast face in orange and pink. The figure wears blue glasses, with the lenses filled with distorted, swirling text that reads “The Gambers Bros” and event details.
Above

Victor Moscoso, The Chambers Bros at the Matrix, courtesy Shapero Modern

A psychedelic poster for Pink Floyd featuring a surreal landscape of a castle on a floating island. A figure floats beside the island under a bright orange sky with stylized birds. The text “Pink Floyd” curves across the centre in pink lettering. At the bottom, the word “Gianfio” is written in large, flowing blue typography.
Above

Hapshash, The Coloured Coat, courtesy Shapero Modern

The cover of Jill magazine features a high-contrast, black and white portrait of a person wearing a patterned headscarf. The title “Jill” is printed in large, bright blue letters across the top. Text in the bottom left reads “Mode et Litterature, 130 pages d’aventures”.
Above

Jill

A neon yellow starburst sticker with bold, hand-drawn black lettering that reads “BUY NOW!”.
Above

Fashion Illustration Gallery

A high-contrast black and white image of a person looking over their shoulder. A speech bubble beside them reads “POETRY WILL BE MADE BY ALL NOT BY ONE”. Bold text frames the image, reading “NEW TREMORS ARE RUNNING THROUGH THE ATMOSPHERE: ALL WE NEED IS THE COURAGE TO FACE THEM”.
Above

The Public Reading Rooms

A bold typographic poster in yellow and red reads “EUROPE INNIT!”. The words “DEFEND FREE MOVEMENT” run vertically along both the left and right edges.
Above

The Public Reading Rooms

A handwritten ledger from 1977 lists punk bands and venues under “Cash Account 77”. A photo of two people is pasted over the entries, showing them posing together in a studio.
Above

Jeremy Gibbs

A black and white collage featuring a high-contrast portrait of a person. The image is sliced by horizontal black bars, with the words “DEFIANT POSE” spelled out in block letters.
Above

Inflammable Material

A person with long blonde hair poses with their arms raised against a backdrop of bookshelves and vinyl records. They wear a white T-shirt featuring an illustration of two people and the words “FANPAGES” and “LOVE HURTS”. The image is a magazine cover with the title “FANPAGES” in dripping green letters and the tagline “SHARING THE LOVE”. A list of topics on the right includes “PRINCE”, “SCI-FI” and “THE FILTHIEST FAMILY ALIVE”. The entire composition is framed by a leopard-print border.
Above

Fanpages

A punk-style poster featuring the phrase “NO FUTURE” repeated in a bold, distressed typeface. Below each heading, smaller text reads “Maximum Penalty £5” and “Sex Pistols”.
Above

John Marchant, Jamie Reid

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About the Author

Bryony Stone

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Bryony joined It's Nice That as Deputy Editor in August 2016, following roles at Mother, Secret Cinema, LAW, Rollacoaster and Wonderland. She later became Acting Editor at It's Nice That, before leaving in late 2018.

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