Cristoph Niemann’s work is silently ubiquitous. Well known for Abstract City, an opinion column he ran (until recently) for the New York Times, Niemann now creates Abstract Sunday – a blog that mirrors the content of Abstract City in illustrative form (Let it Dough and the recent To Run or Not to Run are particular favourites). Better news, for all of us, is that Niemann’s work regularly graces covers elsewhere (pictured is The New Yorker’s most recent issue), and right it should.
- Yayoi Kusama brings infinity and her iconic pumpkins to two stunning new London shows
- How I Got Here: Kim Gehrig, director
- Founder and creative director of ManvsMachine, Mike Alderson on his most-loved books
- From big cats to commuters, Reece Wykes creates characters using the subtlest of details
- Back to the Future: what today's creatives can learn from yesterday's design principles
- Moniker’s crisp and colourful laser cut posters for Designer Fund
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"
- Strange posters and superb typography from Venetian studio Tankboys