I remember one time when my nan showed me a load of old family photos and I mean really old, as in before the days when “Say cheese!” was even uttered. Everyone had the same glacial expressions with eyes that managed to follow you wherever you stood. It was creepy but these photos still physically exist so watch out.
Having some fun with these kinds of portraits is Dan Hillier who tweaks slices of Victoriana with whimical headdresses made out of ornate feathers, horns and branches in his series Feather and Claw. The monochrome works look regal and give a glimpse into a fantastical fictional history. Layered with detail and surprising twists, they’re not creepy at all either.
- Thomas Prior captures a Mexican festival involving exploding sledgehammers
- The misty-eyed and delicate pencil marks of Lee Kyutae
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- David Bailey's photographs of NW1, republished and exhibited for the first time
- Studio Mut creates a catalogue for Italian art prize that celebrates up-and-coming artists
- A forward-minded retrospective: behind the design of the massive Cedric Price monograph
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich