I remember one time when my nan showed me a load of old family photos and I mean really old, as in before the days when “Say cheese!” was even uttered. Everyone had the same glacial expressions with eyes that managed to follow you wherever you stood. It was creepy but these photos still physically exist so watch out.
Having some fun with these kinds of portraits is Dan Hillier who tweaks slices of Victoriana with whimical headdresses made out of ornate feathers, horns and branches in his series Feather and Claw. The monochrome works look regal and give a glimpse into a fantastical fictional history. Layered with detail and surprising twists, they’re not creepy at all either.
- Living for the weekend, it's Best of the Web!
- The photographer archiving South Africa’s black lesbian community
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Friday Mixtape: Grammy award-winning Tinariwen curates a genre-crossing mix
- Designer Kara Zichittella talks about her typographically-led projects
- “Where’s my community?”: Skin Deep and POC on the need for diversity in the film industry
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label