It’s obviously the nature of departure areas for us to depart, onwards through the transition onto a new destination. Unfortunately, the departure area also signifies a blind rush and frantic, speedy march, continually frisking yourself for tickets or a passport you’re sure could have slipped off planet Earth through a zipped portal!
Enter Daniel Everett’s Departure series that rethinks our perceptions of these environments as areas of functional beauty rather than purely the spaces of organised chaos, high tension and human drama. Departure captures these environments in moments of splendid isolation with a perspective as fresh as a glass of iced water, portraying the minimalist environmental functionality we pass by everyday. Daniel’s subjects here truly look like a collection of un-worshiped chapels of travel.
- Moving Brands gives its opinions on the new Google logo design
- Typographic club posters that show how creativity flourishes within boundaries
- Eric Petersen's surreal illustrations take their cues from video games
- Paris-based Adrien Menard's portfolio experiments with letterforms and composition
- The creative process explained via egg metaphors, thanks to artist Honza Zamojski
- Vincent Girardot’s photo diary documents an alpine tour of fish, factories and firs
- No more serifs, same bright colours: Google launches new identity
- Tokyo 2020 Olympic Games logo scrapped over plagiarism row, according to reports
- Ely Dagher’s hypnotic and erotic animated vignettes for Model 86’s EP (NSFW)
- Playfully tongue-in-cheek illustrations from Germany-based Cécile Dormeau
- The Anonymous Sex Journal is back, and this issue is all about wanking
- The slides and sleep pods of LA's Silicon Beach startup scene captured by Lauren Greenfield