If Daniel Gordon’s current work in the Saatchi Gallery’s exhibition, Out of Focus is anything to go by, we’re supposed to consider these works as photographs and for all intents and purposes they are. But the incredibly involved montage of images within the frame, the unrecognisable surfaces – sometimes with a glitchy trace of their online origins that clashes wonderfully with the sharp relief of a real object – coupled with the use of lighting and props and composition, means they’re more like sculpture, or at the least, 3D collage.
Though predominantly portrait, it’s his occasional still life or flower arrangements that takes the meta-biscuit. They’re less ambiguous and aesthetically more graphic than the head shots; their assemblages show the uncanny flatness of their parts as they are crafted to resemble something a little more literal (but still totally wild) and vibrantly beautiful.
- Submit Saturdays: Tips for Social Media
- New Originals: introducing the London Rollergirls
- The best things on the internet, readers' comments and who to follow on social media
- Our A-Z Guide to the UK's 2016 Graduate Shows
- LGBT in advertising: “What we need now is bravery"
- Images packed with life, leather and charm in Bex Day's new series for Pylot
- The new Sagmeister & Walsh website has a live feed from a snake enclosure and a new naked photo (NSFW)
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Sexual, surreal and disturbing: the weird work of super-skilled Claudia Maté
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"