If Daniel Gordon’s current work in the Saatchi Gallery’s exhibition, Out of Focus is anything to go by, we’re supposed to consider these works as photographs and for all intents and purposes they are. But the incredibly involved montage of images within the frame, the unrecognisable surfaces – sometimes with a glitchy trace of their online origins that clashes wonderfully with the sharp relief of a real object – coupled with the use of lighting and props and composition, means they’re more like sculpture, or at the least, 3D collage.
Though predominantly portrait, it’s his occasional still life or flower arrangements that takes the meta-biscuit. They’re less ambiguous and aesthetically more graphic than the head shots; their assemblages show the uncanny flatness of their parts as they are crafted to resemble something a little more literal (but still totally wild) and vibrantly beautiful.
- Submit Saturdays: Planning and prototyping your website
- Danny Fox: the Cornish artist inspired by LA’s Skid Row
- Bring in the Bank Holiday weekend with this week's Best of the Web
- Daniel Britt animates the trials and tribulations of an existential crisis
- Badesaison - the Swiss design studio that can handle everything from Dada to music
- Illustrator Ana Benaroya embraces the “imperfections” in her playful depictions
- Sagmeister & Walsh rebrands fashion label Milly to reflect its "edgy" new personality
- Dominic Wilcox designs art exhibition for dogs (plus exclusive artist sketches)
- Jaemin Lee’s gloriously retro exhibition identities and poster designs
- James Jean’s phantasmagorical world of technicolour fever dreams
- The Refugee Nation Olympic flag was inspired by a lifejacket
- Things: the inspiring post that got us through the long hot summer nights of August