David Janes sent us a small book of a green pop-up paper house. Complete with building instructions and a watercolour of several emerald houses dwarfing London, it’s a nice way to showcase his skills in artwork, mock-ups, guidelines and visual trickery.
But scroll a little further down his site and you’ll find a pen and ink treasure trove. Aside from the delightful giant snail crossing Vauxhall bridge and the chameleon leaving Westminster cathedral, David Janes keeps it black and white. There’s an huge, intricate bindweed covered Shard, hundreds of sketches of political figures in mid-spitting flow, some crosshatched Gorey-esque narratives and Victorian machinated creatures. He says he’s “a freelance design dogsbody with aspirations to be a painter…”, we say the products of his aspirations are looking very fine.
- Living for the weekend, it's Best of the Web!
- The photographer archiving South Africa’s black lesbian community
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Friday Mixtape: Grammy award-winning Tinariwen curates a genre-crossing mix
- Designer Kara Zichittella talks about her typographically-led projects
- “Where’s my community?”: Skin Deep and POC on the need for diversity in the film industry
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label