It’s tempting to think of prisons like the ones you remember from old movies, such as the merry lunch halls of The Blues Brothers, the solitary confinement cells of The Shawshank Redemption and the rather jovial, free-range atmosphere of The Great Escape. Fact of the matter is though, times have changed and prisons have totally evolved.
After Jeremy Bentham’s successful design of the panopticon (a large tower in the centre of a prison that enables guards to watch every prison door at once) prisons have become almost cathedral-like in their appearance. This is, perhaps, the reason behind David’s fascination with them, as if you look at his older work you will notice that large, high-ceilinged spaces are kind of his speciality. Definitely don’t miss his collection of opera houses, palaces, and theatres as well.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich