It’s tempting to think of prisons like the ones you remember from old movies, such as the merry lunch halls of The Blues Brothers, the solitary confinement cells of The Shawshank Redemption and the rather jovial, free-range atmosphere of The Great Escape. Fact of the matter is though, times have changed and prisons have totally evolved.
After Jeremy Bentham’s successful design of the panopticon (a large tower in the centre of a prison that enables guards to watch every prison door at once) prisons have become almost cathedral-like in their appearance. This is, perhaps, the reason behind David’s fascination with them, as if you look at his older work you will notice that large, high-ceilinged spaces are kind of his speciality. Definitely don’t miss his collection of opera houses, palaces, and theatres as well.
- Dressed in Black: the resolute book covers of the Spektrum series
- Dima Shriyeav’s textured poster designs incorporate hand-drawn and digital elements
- Hai-Hsin Huang’s detailed and delicate illustrations present “the lightness of being”
- Laurent Eisler draws playful figures in “precariously balanced compositions”
- Small Gods magazine explores “anomalies of the drone”
- Adam Wells animates Love and Radio’s Dan Deacon interview through obtuse vignettes
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s