A report out this week warns that London is in danger of not making the most of its post Olympic legacy, which all helps make that summer of smiles and success seem like a surreal dream. Leaving aside the sporting impact, it’s probably too early to say what the cultural or design effects will be of that very distinctive visual vernacular that surrounded the Games. For other cities though that assessment is very possible, in particular one with nearly 30 years’ hindsight as is the case with Los Angeles.
Deborah Sussmann is the designer who came up with the look and feel for the 1984 Olympics, and her bold, bright and colourful environmental design, it is said, “created an image of Los Angeles in both its modern and its post-modern forms.”
Now a Kickstarter campaign is underway to try and mount an exhibition paying tribute to her work and to her amazing talents, honed as part of the Eames studio and in collaboration with figures like Frank Gehry. There’s only a few days left to make the show at California’s Woodbury University a reality; it would be a crying shame if such a great graphic treat didn’t materialise.
- Best of the Web is here, and so is the weekend!
- Animator Saiman Chow’s trippy idents for Adult Swim’s Rick and Morty
- Friday Mixtape: Legendary record label, 4AD
- Risograph photograph journal, This is the Same Ocean, returns with a sixth issue
- Illustrator Gizem Vural impresses us with attention-grabbing personal work and commissions
- Colophon Foundry re-releases its road-sign inspired typeface, Montefiore, with new specimen
- Jon Burgerman on his utterly brilliant Instagram experiments
- The photos Juergen Teller took while waiting for Rihanna
- Animator and director James Curran’s amusing 30-day Gifathon project in Tokyo
- "Before I was a graphic designer I had nearly no idea what one was": meet Austin Redman
- Meet Berlin-based studio Büro Bum Bum
- Matthew Raw: the east London artist making clay great again