A report out this week warns that London is in danger of not making the most of its post Olympic legacy, which all helps make that summer of smiles and success seem like a surreal dream. Leaving aside the sporting impact, it’s probably too early to say what the cultural or design effects will be of that very distinctive visual vernacular that surrounded the Games. For other cities though that assessment is very possible, in particular one with nearly 30 years’ hindsight as is the case with Los Angeles.
Deborah Sussmann is the designer who came up with the look and feel for the 1984 Olympics, and her bold, bright and colourful environmental design, it is said, “created an image of Los Angeles in both its modern and its post-modern forms.”
Now a Kickstarter campaign is underway to try and mount an exhibition paying tribute to her work and to her amazing talents, honed as part of the Eames studio and in collaboration with figures like Frank Gehry. There’s only a few days left to make the show at California’s Woodbury University a reality; it would be a crying shame if such a great graphic treat didn’t materialise.
- "Where’s my community?": Skin Deep and POC on the need for diversity in the film industry
- Jee-ook Choi conveys complex ideas using fine linework and muted colours
- Photographer Mehdi Lacoste on working with Actress
- French designer Victoire Coyon’s understated portfolio
- Unit Editions’ upcoming book on the unparalleled work of Paula Scher
- A creative composite of illustration: ten years of Christoph Ruckhäberle’s Lubok
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label