A report out this week warns that London is in danger of not making the most of its post Olympic legacy, which all helps make that summer of smiles and success seem like a surreal dream. Leaving aside the sporting impact, it’s probably too early to say what the cultural or design effects will be of that very distinctive visual vernacular that surrounded the Games. For other cities though that assessment is very possible, in particular one with nearly 30 years’ hindsight as is the case with Los Angeles.
Deborah Sussmann is the designer who came up with the look and feel for the 1984 Olympics, and her bold, bright and colourful environmental design, it is said, “created an image of Los Angeles in both its modern and its post-modern forms.”
Now a Kickstarter campaign is underway to try and mount an exhibition paying tribute to her work and to her amazing talents, honed as part of the Eames studio and in collaboration with figures like Frank Gehry. There’s only a few days left to make the show at California’s Woodbury University a reality; it would be a crying shame if such a great graphic treat didn’t materialise.
- TFI the weekend! Here's the Best of the Web, as deemed by It's Nice That
- “Legs eleven, droopy drawers, dirty knees”: A clock that uses bingo calls instead of numbers
- Great new work for The New York Times and Bloomberg Businessweek from Oscar Bolton Green
- Dots, blocks and fades layered up in multifaceted exhibition identity for The Hague’s Royal Academy
- Patty Carroll’s bizarre photos hide women in chaotic, hand-built scenes
- Dougal Wilson’s Morris Dancing-heavy first music video in six years
- An insight into The Guardian’s newly released brand guidelines
- Art and architecture get exhibitions and galleries: graphic design should too
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- Photographing the choreography and chaos of the England cheerleading team
- Japanese artist Tatsuro Kiuchi is back with more beautifully finished illustrations