One of the other great things about being in Milan this week is how many old friends you get to run into. The guys at Konstfack (arguably Sweden’s most prestigious design school) have visited us in London a couple of times, but we never get to see their work outside of paper portfolios. At their Milan show Design Anima, we got a chance to spend some time with them and have a proper look at the incredible quality of their work.
As you’d expect from an institution that’s home to such a broad variety of disciplines, there’s a terrific variety of skill on display, from Hannah Waldron’s beautiful, graphic weaves to Tobias Gutmann’s eccentric illustration booth Face-O-Mat and Pål Rodenius’ exceptional flat-pack Dhurrie Chair, but each practitioner has come together as a collective to produce work that deals specifically with the rejection of mass-production and speedy consumption in favour of traditional craft.
Konstfack’s Head of Exhibition, Ikko Yokoyama explains: “Through the process of craft and critical thinking, they try to reach the unconscious soul of the design – the Anima. This working/thinking method of craft has a timely relevance to tackle our contemporary questions…”.
You can see Design Anima at the Spazio Rossana Orlandi, Via Matteo Bandello until April 14.
- Dressed in Black: the resolute book covers of the Spektrum series
- Dima Shriyeav’s textured poster designs incorporate hand-drawn and digital elements
- Hai-Hsin Huang’s detailed and delicate illustrations present “the lightness of being”
- Laurent Eisler draws playful figures in “precariously balanced compositions”
- Small Gods magazine explores “anomalies of the drone”
- Adam Wells animates Love and Radio’s Dan Deacon interview through obtuse vignettes
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s