Hactivism, 3D printing, the idea of a new industrial revolution – all of this will be familiar to anyone with an interest in design and technology (and particularly to anyone who’s been to a design conference in the past couple of years). But a new show at London’s Design Museum, The Future Is Here, takes these terms and ideas – thrown about often quite loosely – and makes a real effort to explain and engage with them in a remarkably practical, interesting and effective way.
So there’s examples of what 3D printing can do, an in-depth look at customisation and considerations about how social networking, nanotechnology and open-source computing via the likes of Rasberry Pi and the Arduino circuit board will affect the future of design and manufacture, from houses and cars to shoes and toys.
There’s some interesting infographics looking at people’s perceptions of the future and the pace of technological change, a great demonstration of robotic arms building a wooden puzzle and a “factory” of cutting-edge machines, manned by previously inexperienced Design Museum staff, where you can actually watch a laser cutter or a 3D printer in action.
The design, by Lucienne Roberts+ and drMM, is excellent, bringing this complex and wide-ranging show to life with clarity and flair – the was/is neon sign that changes as per the video below is a particularly nice touch. All in all this is not just the Design Museum at its best – taking important design discourse and introducing it to the general public in a very tangible way – but there’s also more than enough to interest those who feel quite jaded with this whole topic.
The Future Is Here runs until October 29.
- “Run towards the noise” – MINI contemplates the future of mobility and personalisation in London
- Photographer Benedetta Ristori documents cultural juxtapositions on the Balkan peninsula
- June Korea’s photographic fantasy: one man’s relationship with his sex doll
- Smart, funny and expertly executed party posters from German designer Mark Bohle
- Vice, despair and a bafflingly fertile imagination from Brooklyn-based Milton Melvin Croissant III
- A focus on typography in Ghent-based designer Corbin Mahieu's updated portfolio
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- World’s “ugliest” Pantone colour 448C is being used to deter smokers
- North evolves Tate identity to be more adaptable
- Babak Ganjei paints 90s sitcom sitting rooms. But which one's which?
- More bonkers and surreal selfies from Izumi Miyazaki
- Reactions to the referendum and our weekly Best of the Web