Every once in a while we come across a studio with such astounding creative prowess we can scarcely believe we’d not heard of them before. Danish design studio Designbolaget have a portfolio of such magnitude and quality we’re amazed they’re not the darlings of the graphic design world – though with a client list predominantly based in the Netherlands and Scandinavia it’s perhaps understandable they’re not better known abroad.
With ten years of experience behind them, the studio has a strong handle on all aspects of their creative practice – art directing fashion shoots, designing identities for top creative institutions and book design are all second nature to the Designbolaget team. If we’re being completely honest we love their publications best for the sheer breadth of sylistic, thematic and typographic diversity they employ. Whether exploring niche subjects like the history of Danish tattooing or promoting public funding, their bound printed works communicate beautifully and are rarely less than stunning.
- Thomas Prior captures a Mexican festival involving exploding sledgehammers
- The misty-eyed and delicate pencil marks of Lee Kyutae
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- David Bailey's photographs of NW1, republished and exhibited for the first time
- Studio Mut creates a catalogue for Italian art prize that celebrates up-and-coming artists
- A forward-minded retrospective: behind the design of the massive Cedric Price monograph
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich