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A high-contrast black and white print of botanical silhouettes. Dark, organic leaf shapes and thin stems overlap across a pale cream background.

Art: Edward Chell renders motorway plants in glorious silhouette paintings

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Date
9 July 2013

For you and I, motorways are merely the most efficient way of getting from A to B, perhaps enlivened by a great CD or a particularly memorable snack. But others see something else – something important, and beautiful and even inspirational. Take Black Box Recorder, who did a song called The English Motorway System. Or take Edward Chell, an artist whose fascination with transition and peripheries has long informed his practice.

Eclipse is a series of 60 silhouette paintings of plants and weeds that has evolved from Soft Estate_, a previous project focused on the ecosystems of motorway sidings. They are currently on show at the The Beaney House of Art & Knowledge in Canterbury, which says of the work: "Eclipse foregrounds contrasting tensions between the rational, scientific impulse to record and classify the natural world according to Linnaean rules, and the fragile, fugitive, ever-shifting eco systems on which our existence depends. A sense of joyous encounter with the natural world is imbued with the bitter sweet, elegiac quality of 18th Century silhouette portraits of loved ones.

Eclipse is on show until September 8.

A black silhouette of wild plants and leaves against a pale cream background. The organic shapes overlap in a dense, layered composition.
Above

Edward Chell: Bindweed (Convolvulus Arvenis)

A black silhouette of leafy branches and stems against a pale yellow background. The organic shapes overlap to create a dense, dark cluster of foliage.
Above

Edward Chell: Bramble or Blackberry (Rubus Frusticosus)

A black silhouette of a floral arrangement against a pale cream background. The spindly stems and dark petals create a sharp, graphic contrast.
Above

Edward Chell: Creeping Buttercup (Ranunculus Repens)

A black silhouette of a floral bouquet against a pale cream background. The stems and petals are rendered in sharp, high-contrast detail.
Above

Edward Chell: Feverfew (Tanacetum Parthenium)

A black silhouette of a leafy plant branch against a pale cream background. The organic shape stretches vertically across the frame, with jagged leaves and stems.
Above

Edward Chell: Gorse (Furze Ulex Europaues)

A black silhouette of a flowering plant stem against a pale yellow background. The organic, jagged shapes of the leaves and blooms create a vertical column.
Above

Edward Chell: Foxglove (Digitalis Purpurea)

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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