Sometimes, amongst all the emptiness and minimalism in the world, it’s nice to be given so much in an image that you start to wonder whether what you’re seeing even exists. This is certainly the case for Enrico Natali’s work, the photographer whose passion for image-making was re-awakened when his 15-year-old son introduced him to the digital camera.
Currently showing his work at Joseph Bellows Gallery, California, Natali has a knack for capturing the American landscape in all it’s big, flat busy-ness. Garish billboards, ordinary people and brightly-coloured trucks contrast with dull concrete in such a way that it looks like a copy and paste job – except it’s really not, he’s just really good.
- Dressed in Black: the resolute book covers of the Spektrum series
- Dima Shriyeav’s textured poster designs incorporate hand-drawn and digital elements
- Hai-Hsin Huang’s detailed and delicate illustrations present “the lightness of being”
- Laurent Eisler draws playful figures in “precariously balanced compositions”
- Small Gods magazine explores “anomalies of the drone”
- Adam Wells animates Love and Radio’s Dan Deacon interview through obtuse vignettes
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s