There’s something delightfully scientific about Erik Söderberg’s GIFs, however firmly I remind yourself that they’re composed of thousands of pixels. The repetitive way they pulsate and fizz quietly on the screen takes me right back to double Biology on a Thursday morning, watching in shellshocked fascination as tiny living cells mutate on a tiny strip of glass under a microscope, and grandly imagining myself to be the second coming of Louis Pasteur.
They’re nothing of the sort, of course, but there’s a certain draw to the notion of an image created solely for the purpose of aesthetic pleasure, too. In fact, Erik is a multi-disciplinary artist working across graphics and 3D design. “In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called Fractal Experience,” he explains. “This is part two – continuing the exploration of geometric shapes, patterns, and fractals with an added element – space-time.” The technical know how required to created moving digital imagery to this advanced level deserves recognition, and we’re more than happy to give it to him.
- “Run towards the noise” – MINI contemplates the future of mobility and personalisation in London
- Photographer Benedetta Ristori documents cultural juxtapositions on the Balkan peninsula
- June Korea’s photographic fantasy: one man’s relationship with his sex doll
- Smart, funny and expertly executed party posters from German designer Mark Bohle
- Vice, despair and a bafflingly fertile imagination from Brooklyn-based Milton Melvin Croissant III
- A focus on typography in Ghent-based designer Corbin Mahieu's updated portfolio
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- World’s “ugliest” Pantone colour 448C is being used to deter smokers
- North evolves Tate identity to be more adaptable
- Babak Ganjei paints 90s sitcom sitting rooms. But which one's which?
- More bonkers and surreal selfies from Izumi Miyazaki
- Reactions to the referendum and our weekly Best of the Web