What better way to create a thought-provoking portrait of way young people are often portrayed in contemporary culture than to take a whole series of sleazy, not-before-the-watershed images and render them in through a time-honoured craft reminiscent of the Bayeux Tapestry? This somewhat brutal juxtaposition of the sordid with the traditional has the effect of creating a satirical and brow-furrowing reflection of modern society, and Erin M. Riley is leaving no stone unturned in her search for subjects.
And I do mean sordid, too; guns, syringes, bongs, vomit, sex, cars crashing, no topic is too much to be recreated on Erin’s loom. Somebody has to question our perpetual acceptance of modern norms after all. Her series of girls taking selfies is especially absorbing; born from a concern about the way young women are sexualised, or encouraged to sexualise themselves, Erin’s is a caustic comment on the state of gender politics in the midst of tabloid and media frenzy. The sheer multitude of work she has created is astounding, too, and warrants a solid couple of hours of open-mouthed scrolling. Perhaps not when your boss is around though, eh?
- Twin brothers V/A/B on their “difficultly simple” approach to design
- The people’s choice, it’s Best of the Web!
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Lukas Korshan photographs Dulwich Hamlet FC, where you can “drink beer, stand up, and let loose"
- “The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility
- Peter Judson messes with depth perception in new personal project, Infection
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s