It’s no great revelation to state that public art can be fairly hit and miss but kudos to The Standard Hotel in New York who have shown exactly how you go about it. 1. Pick someone brilliant, like Erwin Wurm. 2. Let that someone brilliant do what they do best. 3. Stick the piece on show and wait for the plaudits to roll in. Unveiled yesterday, Big Kastenmann (translated as Big Boxman) is an 18-foot high headless aluminium surrealist sculpture, part-coated in dripping pink enamel paint. It’s actually a giant version of one of the artist’s pieces from 2010 but on this scale and in such a busy location, it takes on a whole new meaning, like a freeze-frame from a deliciously whimsical disaster movie.
“My work is very much about interaction, and The Standard’s location and the size of the work ensure that Big Kastenmann will be accessible to many people, which is the essence of public art,” Erwin said.
The sculpture is on show until November 2.
- Anna Haas’ structured yet anarchic approach to graphic design
- “Made for designers, not 3D experts”: Adobe Stock demystifies 3D renders
- Tanawat Sakdawisarak’s crisp illustrations reference pop music and video games
- Photographer Jay Wolke remembers gambling spots in the US during the 80s and 90s
- Chaz Bundick talks us through the new digitally personable Company website
- Animator Frances Haszard’s gender neutral breakup story
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books