Etienne Gros pulls and tucks dense foam to take the form of a shapely lady minus head and legs (very like a squidgy Venus de Milo) – the result, Les Mousses, is so simple and so effective (though undoubtedly takes some skill to realise) that I’m only able to muster the singular thought of “brilliant”.
Checking out the rest of the artist’s work, he is no stranger to the nude, indeed his whole oeuvre is made up almost exclusively of contemplating it in different media. Just like the many, many artists before him, the naked female form is both a thorough study of mass and flesh but also for the love of it – only I’m pretty sure Etienne is the only one sculpting sponge.
- Dressed in Black: the resolute book covers of the Spektrum series
- Dima Shriyeav’s textured poster designs incorporate hand-drawn and digital elements
- Hai-Hsin Huang’s detailed and delicate illustrations present “the lightness of being”
- Laurent Eisler draws playful figures in “precariously balanced compositions”
- Small Gods magazine explores “anomalies of the drone”
- Adam Wells animates Love and Radio’s Dan Deacon interview through obtuse vignettes
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s