Etienne Gros pulls and tucks dense foam to take the form of a shapely lady minus head and legs (very like a squidgy Venus de Milo) – the result, Les Mousses, is so simple and so effective (though undoubtedly takes some skill to realise) that I’m only able to muster the singular thought of “brilliant”.
Checking out the rest of the artist’s work, he is no stranger to the nude, indeed his whole oeuvre is made up almost exclusively of contemplating it in different media. Just like the many, many artists before him, the naked female form is both a thorough study of mass and flesh but also for the love of it – only I’m pretty sure Etienne is the only one sculpting sponge.
- Thomas Prior captures a Mexican festival involving exploding sledgehammers
- The misty-eyed and delicate pencil marks of Lee Kyutae
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- David Bailey's photographs of NW1, republished and exhibited for the first time
- Studio Mut creates a catalogue for Italian art prize that celebrates up-and-coming artists
- A forward-minded retrospective: behind the design of the massive Cedric Price monograph
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich