To be totally honest, I didn’t expect to enjoy this film when I started watching it. There’s a long and inglorious tradition of “celebrities” being shoehorned into seemingly random contexts to the point it all starts to resemble an Alan Partridge programme pitch (“Youth Hostelling With Chris Eubank”). But as it turned out I was engrossed for the full four minutes of The Horrors frontman Faris Badwan showing us around Tate Modern’s Paul Klee exhibition. Firstly because Faris studied illustration at Central Saint Martins in the early 2000s and speaks with passion and intelligence about Klee’s work. And secondly the film links to his own artistic endeavours, so we aren’t just told that Klee influenced his pictures but are actually shown how.
This is a real gem of the TateShots series and if Klee floats your boat as it does Faris’, then the video with curator Matthew Gale is also well worth a watch.
Paul Klee – Making Visible runs until 9 March at Tate Modern.
- Artist Howard Fonda captures the vibrancy of summer for Ace & Tate
- Robbie Simon, the jack of all trades and the master of them too
- Mattis Dovier’s weird and wonderful 8-bit dot animation for XXX’s music video
- Jessica Lehrman's photographic document of social revolution, Black Lives Matter and Occupy Wall Street
- Zoe Kao and Huang Wun-Siang find inspiration in the uncertainty of the design process
- Documenting the world in motion: Lauren Tamaki’s illustrations of modern life
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale