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An overhead shot of a grey asphalt road with faded white and yellow lane markings. White arrows point in different directions across the surface, some straight and some curving.

Iconic war photography hauntingly reduced to simple, empty lanscapes

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Date
26 March 2013

Czech photographer Pavel Maria Smejkal is responsible for this arresting series of images that are completely familiar yet strikingly alien. Taking iconic photographs of moments that have shaped the course of human history (think Iwo Jima, Tiananmen Square and The Grassy Knoll) Pavel removes the human elements from them, leaving nothing but empty, haunting landscapes behind. They offer an eerily prosaic look at the geographical plainness of sites that have been imbued with such enormous importance.

A black and white photograph of a narrow passage between large, weathered boulders. A low wall of stacked stones fills the gap between the rocks.
Above

Pavel Maria Smejkal: Fatescapes (Gettysburg)

A wide, empty road stretches toward a dark, hazy horizon. The surrounding landscape is barren and scarred, with a small white sign standing on the right.
Above

Pavel Maria Smejkal: Fatescapes (Vietnam)

A grainy black and white photograph of a grassy field behind a chain-link fence. A paved road and concrete kerb run along the foreground.
Above

Pavel Maria Smejkal: Fatescapes (Kent USA)

A grainy black and white photograph of a wide, empty city street. Low buildings line the right side of the road, with a taller white building in the distance.
Above

Pavel Maria Smejkal: Fatescapes (Saigon)

A black and white photograph of a city street devastated by war. Ruined, roofless buildings line a debris-strewn road, with ornate stone statues overlooking the wreckage from a foreground ledge.
Above

Pavel Maria Smejkal: Fatescapes (Berlin)

A wide, desolate landscape under a heavy, overcast sky. In the foreground, a mound of dark, tangled debris and rubble stretches across the frame.
Above

Pavel Maria Smejkal: Fatescapes (Iwo Jima)

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About the Author

James Cartwright

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James started out as an intern in 2011 and came back in summer of 2012 to work online and latterly as Print Editor, before leaving in May 2015.

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