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Five figures stand in a row against a plain grey background, each wearing a different sculptural headpiece and blue tights. The structures vary in material and form, including woven wicker, red fringe, and a white fabric shell.

Playfulness abounds in dazzling Dutch designer Femke Agema's fashions

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Date
29 May 2013

I came across Dutch fashion designer Femke Agema flicking through an in-flight magazine on the way back from a recent trip to Amsterdam; one of the most enjoyable pre-take-off distractions I can remember. Femke’s work marries technical skill with some fantastical ideas as proved by her two most recent collections. For Elders, her 2013 spring/summer range, she took inspiration from our primordial emotional response to the onset of spring, “the simple joy we feel in being let loose into the wild to play in an environment overflowing with possibilities.”

It followed on neatly from her last collection of 2012, which was titled Nigliktok after the inuit word for “cold,” created as she says “for the inevitable snowpocalypse.” Playful and consistently rewarding, Femke’s talent ensures I will never again toss another airline magazine aside.

A person stands in profile against a plain grey background, wearing a form-fitting blue outfit and tights. Their head is obscured by a large, bell-shaped headpiece made of overlapping brown scales.
Above

Femke Agema: Elders (installation) Photography Roel Determeijer

A figure stands against a plain grey background, wearing a long, shaggy garment made of thick red cords. Only their feet are visible, covered in bright blue tights.
Above

Femke Agema: Elders (installation) Photography Roel Determeijer

A sculpture of a figure wearing a long, hooded cloak made from woven brown twigs. The figure’s legs and feet are a solid, vibrant blue.
Above

Femke Agema: Elders (installation) Photography Roel Determeijer

A person stands against a plain grey background, wearing a blue dress and blue tights. A large, conical wooden cage covers their head and shoulders.
Above

Femke Agema: Elders (installation) Photography Roel Determeijer

A person wearing a full-body blue suit stands against a plain grey background. They are partially concealed by a large, arched white structure that resembles a piece of architectural fabric or a sail.
Above

Femke Agema: Elders (installation) Photography Roel Determeijer

A person wears a pale green, quilted jumpsuit with a matching hood. The hood features two large, round goggles that cover the eyes.
Above

Femke Agema: Nigliktok Photography Roel Determeijer

A person stands against a plain grey background wearing an oversized, quilted mint green jumpsuit. The garment features a large hood with an orange lining and a diamond-stitched pattern across the body.
Above

Femke Agema: Nigliktok Photography Roel Determeijer

A person wears a voluminous, navy blue quilted garment that completely obscures their body and head. The outfit features a white fleece lining at the neck and hem, paired with chunky wooden platform sandals.
Above

Femke Agema: Nigliktok Photography Roel Determeijer

A person wearing white socks and dark trousers stands on oversized wooden sandals. The sandals feature thick, blocky bases and tan leather straps.
Above

Femke Agema: Nigliktok Photography Roel Determeijer

A person stands against a plain grey background wearing a white, textured outfit. They wear a fluffy hood, a white bralette, and a tiered, shaggy skirt with matching fluffy boots.
Above

Femke Agema: Nigliktok Photography Roel Determeijer

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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