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Film: Intriguing look at those who helped restore the vandalised Rothko at Tate Modern

Date
19 May 2014

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Remember back in 2012 when that guy Wlodzimierz Umaniec vandalised a Rothko painting in the Tate Modern? He got jailed for two years, and the mixed reaction from the public was an incredibly interesting one. The painting was taken away by Tate and, since the incident happened, not much has been said about it. For 18 months however, Rothko’s vandalised Black on Maroon has been gradually repaired by the world’s finest restoration crew.

Considering Rothko made a lot of his paintings using egg, glue and rare dyes, cutting out a section of his painting and replacing it is no mean feat. “Over nine months the team researched methods for removing the ink from the delicate paint layers, using special test canvases to assess the appropriate solvents and cleaning methods,” Tate say. “Rachel Barker then spent a further nine months working on Black on Maroon itself, removing the majority of the surface ink before restoring the painting’s surface.” A fantastic and riveting piece of film highlighting a brilliant cause, this is exactly the kind of documentary film that Tate should be creating. Let’s hope it’s the first of many.

A person wearing blue gloves works at a lab bench, using a tool to examine a red rectangular object. They are in a bright studio with technical equipment and a large informational poster on the wall.
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Tate: Restoring Rothko

A close-up of a textured, organic surface in shades of deep purple and black. The material appears thick and visceral, with the word “Tate” in the bottom right corner.
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Tate: Restoring Rothko

Two people stand in a bright studio, looking at a large sheet of white paper laid across a table. One person holds the edge of the paper, while the other looks on. The Tate logo appears in the bottom right corner.
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Tate: Restoring Rothko

A person with curly hair stands in a lab, pointing at a screen displaying a detailed grayscale image. They wear a black jacket with the “Tate” logo on the sleeve.
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Tate: Restoring Rothko

A studio space with a large black studio light on a tripod in the foreground. To the left, organic red and white shapes are pinned to a wall, while a white backdrop stands in the centre.
Above

Tate: Restoring Rothko

A group of people stand in a gallery around a large, dark painting with two vertical red stripes. A text overlay in the bottom left reads “MAY 2014” and the Tate logo appears in the bottom right.
Above

Tate: Restoring Rothko

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About the Author

Liv Siddall

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Liv joined It’s Nice That as an intern in 2011 and worked across online, print and events, and was latterly Features Editor before leaving in May 2015.

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