There’s always something interesting about artistic processes in which the creative cedes control, and especially so when that creative is a major art world figure like Gerhard Richter. A gorgeous new book presents his November series in its entirety, an intriguing series that came about when he was decanting some black Edding marker-pen ink. Some of it dripped onto nearby paper and he was fascinated by the patterns it made, not just on the top sheet but on those it soaked underneath as well.
Using benzene, acetone and black tushe he started experimenting with thinning his materials and manipulating the colours and patterns, culminating in the production of 54 works, comprising 27 individual sheets with mirror images on both sides. This was back in 2008 and, as he’s prone to doing, Richter put them aside, only revisiting them three years later. Now Heni Publshing has brought them together in this lovely collection, full of beguiling shapes and the quiet colour palette of the images’ namesake month.
- Things: the August edition
- Andy Warhol: original FOMO artist, Polaroid photographer extraordinaire
- Bielke&Yang creates bright, playful Oslo Design Fair identity
- Bizarre film follows feline photographer Larry Johnson at New Jersey cat show
- Marvel Studio releases rejected Iron Man logos
- Dull reality spruced up beautifully by photographer Teddy Delcroix
- No more serifs, same bright colours: Google launches new identity
- Tokyo 2020 Olympic Games logo scrapped over plagiarism row, according to reports
- The slides and sleep pods of LA's Silicon Beach startup scene captured by Lauren Greenfield
- Sarah Illenberger explores horticulture with her exotic new series Wonderplants
- Ely Dagher’s hypnotic and erotic animated vignettes for Model 86’s EP (NSFW)
- Matisse-inspired posters for Serbian Youth Day from designer Monika Lang