There’s always something interesting about artistic processes in which the creative cedes control, and especially so when that creative is a major art world figure like Gerhard Richter. A gorgeous new book presents his November series in its entirety, an intriguing series that came about when he was decanting some black Edding marker-pen ink. Some of it dripped onto nearby paper and he was fascinated by the patterns it made, not just on the top sheet but on those it soaked underneath as well.
Using benzene, acetone and black tushe he started experimenting with thinning his materials and manipulating the colours and patterns, culminating in the production of 54 works, comprising 27 individual sheets with mirror images on both sides. This was back in 2008 and, as he’s prone to doing, Richter put them aside, only revisiting them three years later. Now Heni Publshing has brought them together in this lovely collection, full of beguiling shapes and the quiet colour palette of the images’ namesake month.
- Take the Jack Sachs animated tour of the Tate Britain, and meet his odd CG characters along the way
- The effortlessly lovely hand-drawn illustrations of Paula Bulling
- Kii Monroe Arens' delicious gig posters
- Alex Paulus’ paintings are full of misshapen characters in odd situations
- Taiwanese graphic designer Wang Zhi-Hong’s sublime cover designs
- Carmel Buckley and Mark Harris dissect the album covers of calypso singer Mighty Sparrow
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich