There’s always something interesting about artistic processes in which the creative cedes control, and especially so when that creative is a major art world figure like Gerhard Richter. A gorgeous new book presents his November series in its entirety, an intriguing series that came about when he was decanting some black Edding marker-pen ink. Some of it dripped onto nearby paper and he was fascinated by the patterns it made, not just on the top sheet but on those it soaked underneath as well.
Using benzene, acetone and black tushe he started experimenting with thinning his materials and manipulating the colours and patterns, culminating in the production of 54 works, comprising 27 individual sheets with mirror images on both sides. This was back in 2008 and, as he’s prone to doing, Richter put them aside, only revisiting them three years later. Now Heni Publshing has brought them together in this lovely collection, full of beguiling shapes and the quiet colour palette of the images’ namesake month.
- The creative team behind John Grant’s post-apocalyptic world
- They have beauty, they have grace, they are Jack Mears’ ceramic dogs
- Caroline Tompkins deftly captures goggle marks, swim caps and foam floats
- Illustrator Jan Robert Duennweller's erratic style creates "visual headlines"
- Réka Neszmélyi's boundary breaking identity for Hungarian Bánkitó Cultural & Music Festival 2016
- Five things to remember as a young creative
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale