At the moment there’s a trial going on in the UK that seemingly reflects the British press’ darkest hour. Various figures are accused of alleged mass hacking of phones and it has led to a lot of soul-searching about how low our once proud media has fallen.
Enter Giulia Garbin, a globetrotting Italian graphic designer who graduated from the Royal College of Art last year after stints working in Portugal, Switzerland and the Netherlands. She was fascinated by Fleet Street – once the home of London’s thriving, mischievous newspaper industry – and the stories its now slightly faded buildings seem to be dying to tell. And so The Street of Ink was born, a visual homage to this unique area of London as told by some of its hardworking, hard-playing former printing press employees.
Beautifully-imagined and so very, very timely, this is an important celebration of London’s past.
- Steve Powers' New York street signs offer an alternative perspective
- Rebecca Scheinberg comes pretty damn close to making perfect photographs
- Hamburg-based studio I Like Birds' comprehensive film festival identity
- The Plant creates identity for Walthamstow business hub using a process from 1905
- Wayfaring land artist Richard Long pays homage to his Bristol roots
- Designs for a tarot deck celebrating black stars and overseen by Jodorowsky
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Embracing the uncanny with photographer Nadia Lee Cohen (NSFW)
- Hello and welcome to the new look It’s Nice That
- Street photographer Vincent Chapters captures London’s spirit
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns