At the moment there’s a trial going on in the UK that seemingly reflects the British press’ darkest hour. Various figures are accused of alleged mass hacking of phones and it has led to a lot of soul-searching about how low our once proud media has fallen.
Enter Giulia Garbin, a globetrotting Italian graphic designer who graduated from the Royal College of Art last year after stints working in Portugal, Switzerland and the Netherlands. She was fascinated by Fleet Street – once the home of London’s thriving, mischievous newspaper industry – and the stories its now slightly faded buildings seem to be dying to tell. And so The Street of Ink was born, a visual homage to this unique area of London as told by some of its hardworking, hard-playing former printing press employees.
Beautifully-imagined and so very, very timely, this is an important celebration of London’s past.
- Ustwo says RELAX! with new meditation app Pause
- Workwear: animator Paul Layzell on sports and nostalgia in his style
- Promoting academia with zig-zags, giant facial features and old trash: a masterclass from designer Nejc Prah
- Surreal, disturbing, NSFW and utterly thrilling: the work of Jon Rafman
- Lukas Ackermann’s playfully abstract identity for new Zurich culture hub
- Things! The finest bits and bobs we were sent in September
- Photographing the choreography and chaos of the England cheerleading team
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- New Channel 4 identity by creative dream team of 4Creative, Jonathan Glazer, Neville Brody and DBLG
- An insight into The Guardian’s newly released brand guidelines
- Art and architecture get exhibitions and galleries: graphic design should too
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here