At the moment there’s a trial going on in the UK that seemingly reflects the British press’ darkest hour. Various figures are accused of alleged mass hacking of phones and it has led to a lot of soul-searching about how low our once proud media has fallen.
Enter Giulia Garbin, a globetrotting Italian graphic designer who graduated from the Royal College of Art last year after stints working in Portugal, Switzerland and the Netherlands. She was fascinated by Fleet Street – once the home of London’s thriving, mischievous newspaper industry – and the stories its now slightly faded buildings seem to be dying to tell. And so The Street of Ink was born, a visual homage to this unique area of London as told by some of its hardworking, hard-playing former printing press employees.
Beautifully-imagined and so very, very timely, this is an important celebration of London’s past.
- Michael DeForge’s mysterious, ominous illustrations
- Jesús Sotés folkish work draws darker themes into his commercial illustration
- Alex Blouin shoots petrolheads at Canada’s biggest car show
- Designer Cindy Kutikova on translating her ideas into a visual language
- “Graphic design of any and every printed matter”: introducing Arc studio
- Studio Output’s bumper bookshelf full of design and art inspiration
- The Sky Sports rebrand features bespoke type and refined logos across nine channels
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Applicants to UK arts and design university courses declines by over 14,000 this year
- Michael Bierut designs new brand identity for the Poetry Foundation
- Design, Revolt, Rainbow: the pioneering work of graphic designer Willy Fleckhaus