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A collection of colourful embroidered patches scattered across a white surface. Many feature the words “Creative Club”, while others display logos and slogans for various studios and brands.

The Graduates 2013: Chelsea's Charlie Patterson combines craft with great ideas

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Date
18 July 2013

And so we’ve almost reached the final curtain for our Graduates class of 2013, with just two more young talents to introduce to you. But turn that frown upside down dear reader because there’s no let-up in quality, as proved by penultimate graduate Charlie Patterson. Having studied graphic design at Chelsea, Charlie has a predictably good grounding in the fundamental skills, but where he really stands out is through his playful and interesting ideas.

The Creative Club was a project that rewarded design professionals for their skills by handing out charming personalised merit badges (and acted as a heck of a networking tool to boot), while Charlie’s LEGO ads for the YCN briefs really tap into the toy’s imaginative potential. Working with Jasper Van Den Bosch, Charlie also won the Southbank Centre’s BOOST programme for their simple, stylish, geometric bike decorations. Enough of us blathering on though, let’s meet our 11th graduate…

A collection of circular blue and yellow skill badges, resembling scout badges, are arranged on a white page. Below them, a list titled “SKILLS” includes categories such as “Photoshop”, “InDesign”, “Illustrator” and “Good cuppa”.
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Charlie Patterson: The Creative Club

Two people stand side by side in front of shelves displaying books and prints. They both wear denim jackets adorned with patches and hold up two fingers in a peace sign.
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Charlie Patterson: The Creative Club

Why or who or what made you go to art school?

I was never pushed in any direction when choosing to go to art school, I would say I didn’t really know what I wanted to do and if I didn’t do a foundation I probably would have gone into product design or carpentry. It was more luck that I went to Chelsea to study graphic design as I was never really shown what true design was until I got to art school.

As a boy I spent hours with my granddad in his shed, coming up with ideas and making stuff which helped me get into art school. Making anything and everything out of bits of wood on the foot pedalled band-saw made me always want to use my hands and get stuck in with anything involving physical objects.

What’s the best mistake you made when you were studying?

The best mistake I made was leaving my part-time job at Selfridges to work for a branding agency run by a customer I had sold a cardigan to. At first it was great as it payed more and I was learning more about design but eventually it fell apart and I was left owed a lot of money with no contract to take them up on.

If you could show your work to one person, who would you choose and what would you show them?

I would love to meet the late Josef Albers – he was a genius and had some serious drawing skills. I would like to show him my sketch book and endless bits of paper with all my perceptual illusion scribbles and optical artworks. He has been a great inspiration and I’d love to pick his brain on how he came up with them in the first place.

Can you give us one prediction about your work for the next year?

Hopefully I will be doing a lot more making; the more time I can spend using my hands to make and build the better. I’d love to work on any projects to do with product design, interiors or making things as big as possible.

What’s the best thing you saw in the last three years?

The best thing by far has been watching Phiney Pet’s collection go down the catwalk at GFW last month. Seeing the amount of effort and incredible talent go into her super colourful and playful collection makes me feel privileged that I have been given the opportunity to know such a wonderful person. Her genuine modesty and inspiring work ethic give me the determination to push my own ideas and brings out my own full potential.

A Lego figure with skis stands on top of a white teapot. Below, four other figures look up at them on a wooden kitchen counter. A red banner in the top left reads “It’s not a teapot it’s a skiing adventure...”.
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Charlie Patterson: Lego advert for YCN 2013 briefs

A Lego figure and a small brown dog stand on an open street map. Red blocks of text to the right read “It’s not an A-Z map it’s a walk in the park...”.
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Charlie Patterson: Lego advert for YCN 2013 briefs

A Lego figure dressed as a pirate balances on a large, angled metal beam. The sculpture stands in a city square with red buses and buildings in the background.
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Charlie Patterson: Lego advert for YCN 2013 briefs

A person stands behind a bright blue bicycle with white rims and tyres. A red, triangular mesh bag is attached to the frame.
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Charlie Patterson/Jasper Van Den Bosch: Vector Designs

A white bicycle stands on a cobbled street. A blue, geometric 3D-printed frame bag with a honeycomb pattern is attached to the centre of the bike.
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Charlie Patterson/Jasper Van Den Bosch: Vector Designs

The glass storefront of the “Southbank Centre Shop” reveals a brightly lit interior filled with gifts and books. Text on the window lists categories including “Design”, “Prints”, “Jewellery”, “Books” and “Toys”.
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Charlie Patterson/Jasper Van Den Bosch: Vector Designs

Represent

We are very pleased that The It’s Nice That Graduates 2013 is once again being supported by Represent Recruitment who are themselves celebrating being ten years old this summer. The graphic design recruitment specialists have developed a peerless reputation working with designers of all levels and matching them up with the right positions in some of the top agencies around. Represent’s support has helped us grow the Graduates scheme over recent years and we are thrilled they have partnered with us again in 2013.
www.represent.uk.com

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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