There are many great things about the latest issue of Gratuitous Type, Elana Schlenker’s gorgeous printed publication celebrating this geekiest corner of the graphics world. The third instalment is the first based around a theme; kicking off with colour (or “color” as the Canadian publishers insist on having it…).
Firstly, it’s subtitled “A pamphlet of typographic smut” which is just a really excellent sentence whichever way you look at it. Secondly, it’s really nicely designed, from the die-cut wrap-around cover to the change-up of paper stock on the centrefold and the image-rich layouts. Thirdly, the names involved are eclectically international and uniformly excellent; from long-time favourites of ours like Hato Press, Hvass & Hannibal and Jordy van den Nieuwendijk (who designed the risograph postcard which comes with the magazine) to Bendita Gloria and Fanette Mellie.
But most of all what I love is that while typographic celebrations are often visual affairs, Elana’s editorial approach results in genuinely insightful interviews to run alongside the (plentiful) aesthetic perving on offer.
- Sean and Seng travelled to Mongolia to shoot for Arena Homme+
- Joshua T Gibbons provides an insight into the relaxed bachelor lifestyle of Cockney Stan
- New York-based Blake Lewis’ neat and considered portfolio exudes simplicity
- Latvian illustrator Zane Zlemeša's delicately painted drawings
- Photographer Carlota Guerrero on collaborating with Solange and getting signed to WeFolk (some NSFW)
- Linda Brownlee’s beautiful photography book captures family life in a Sicilian village
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich