There are many great things about the latest issue of Gratuitous Type, Elana Schlenker’s gorgeous printed publication celebrating this geekiest corner of the graphics world. The third instalment is the first based around a theme; kicking off with colour (or “color” as the Canadian publishers insist on having it…).
Firstly, it’s subtitled “A pamphlet of typographic smut” which is just a really excellent sentence whichever way you look at it. Secondly, it’s really nicely designed, from the die-cut wrap-around cover to the change-up of paper stock on the centrefold and the image-rich layouts. Thirdly, the names involved are eclectically international and uniformly excellent; from long-time favourites of ours like Hato Press, Hvass & Hannibal and Jordy van den Nieuwendijk (who designed the risograph postcard which comes with the magazine) to Bendita Gloria and Fanette Mellie.
But most of all what I love is that while typographic celebrations are often visual affairs, Elana’s editorial approach results in genuinely insightful interviews to run alongside the (plentiful) aesthetic perving on offer.
- “Run towards the noise” – MINI contemplates the future of mobility and personalisation in London
- Photographer Benedetta Ristori documents cultural juxtapositions on the Balkan peninsula
- June Korea’s photographic fantasy: one man’s relationship with his sex doll
- Smart, funny and expertly executed party posters from German designer Mark Bohle
- Vice, despair and a bafflingly fertile imagination from Brooklyn-based Milton Melvin Croissant III
- A focus on typography in Ghent-based designer Corbin Mahieu's updated portfolio
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- World’s “ugliest” Pantone colour 448C is being used to deter smokers
- North evolves Tate identity to be more adaptable
- Babak Ganjei paints 90s sitcom sitting rooms. But which one's which?
- More bonkers and surreal selfies from Izumi Miyazaki
- Reactions to the referendum and our weekly Best of the Web