There are many great things about the latest issue of Gratuitous Type, Elana Schlenker’s gorgeous printed publication celebrating this geekiest corner of the graphics world. The third instalment is the first based around a theme; kicking off with colour (or “color” as the Canadian publishers insist on having it…).
Firstly, it’s subtitled “A pamphlet of typographic smut” which is just a really excellent sentence whichever way you look at it. Secondly, it’s really nicely designed, from the die-cut wrap-around cover to the change-up of paper stock on the centrefold and the image-rich layouts. Thirdly, the names involved are eclectically international and uniformly excellent; from long-time favourites of ours like Hato Press, Hvass & Hannibal and Jordy van den Nieuwendijk (who designed the risograph postcard which comes with the magazine) to Bendita Gloria and Fanette Mellie.
But most of all what I love is that while typographic celebrations are often visual affairs, Elana’s editorial approach results in genuinely insightful interviews to run alongside the (plentiful) aesthetic perving on offer.
- Submit Saturdays: Take advantage of your website to show varied work as a creative collective
- Parisian upstarts Ill-Studio give L’Officiel magazine new life
- Knock knock. Who's there? It's Best of the Web!
- William Knight's socially conscious portfolio of graphic design
- Alan Fears’ papier mâché heads are a humorous portrait of ourselves
- The quiet humour of illustrator Elena Xausa
- Reasons Not To Do Graphic Design by Yotam Hadar
- Nostalgia in branding: top design studios analyse the NatWest and Co-op retrobrands
- Google and Monotype launch Noto, an open-source typeface family for all the world’s languages
- The only way is ethics: what are the moral obligations of a graphic designer?
- Rachel Levit illustrates contemporary relationships in new book
- Creative agency INT Works relaunches as Anyways, with a playful graphic identity