Guillermo del Toro wakes up in his luxurious yet tasteful ocean-side condo. It is 2am. He pads down his hallway to his study where mementos of his various films are kept alongside his awards and an old printer he never got round to throwing out. His eyes scan the posters, the props and the ephemera; Pan’s Labyrinth, HellBoy, Pacific Rim, And yet Guillermo feels sad; kind of empty.
“All this, and yet I have never directed the intro for the Halloween special for The Simpsons,” he ponders. “If I did I would make it extra long and cram in more movie references than you can shake a (broom)stick at. But will I ever get the chance? Will I Guillermo…Guillermo…Guillermo!” His wife shakes him awake from his sofa snooze. “It’s starting,” she says and the familiar Springfield theme tune strikes up…
- 71-year-old, formerly homeless Romanian collage artist Ion Bârlādeanu opens first UK show
- Glossy nostalgia from fashion photographer Charlotte Wales
- Simon Eeles’ photographic series is “a tender and wry postcard” from Australia
- Andrea Ucini’s conceptual illustrations play with perspective
- “Sensitive, rigorous” graphic design from Parisian Jérémy Glâtre
- Living for the weekend, it's Best of the Web!
- Petition launched against winner of Foam Paul Huf photography award for “stereotyping and sexism”
- Exclusive: rediscover graphics from Fiorucci’s archival 1984 Panini collaboration
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Me & EU project will send creative postcards across Europe on trigger date of Article 50
- Phaidon book gathers together 500 of the most iconic graphic designs of all time
- Atelier Brenda: the alter ego of three female designers you need to get to know