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A collage of vintage papers, handwritten notes and scientific diagrams. Two Japanese stamps and a circular postmark sit in the top right, beside an address for “M. Charlton” in New Jersey.

Exhibition: Smithsonian's archive shows handwriting of famous artists

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Date
23 July 2013

It seems somewhat rich of me to sit here at a computer tapping away at a keyboard writing an article about how handwriting is a lost art. But, I am, and it is, and the current Smithsonian’s Archives of American Art exhibition on the handwriting of influential artists warrants no less of a wildly hypocritical gesture.

The show gives viewers the rare occasion to nose at what Lee Krasner wrote in her last letter to Jackson Pollock before his untimely death, and to see Georgia O’Keeffe’s swirly script in notes to Cady Wells. Even better, each of the forty-two letters in the show has also been documented in a digital archive which is available to view in its entirety online, alongside a short analysis of each artist’s character by handwriting experts. Isamu Noguchi, Marcel Duchamp and Willem de Kooning are all up there, with doodles, tiny drawings, collage and some painfully telling grammatical techniques; Lee Krasner’s heartbreaking parenthesis “(How are you, Jackson?)” at the foot of her lengthy report on the state of Paris’ art scene seems to divulge decades of sadness and torment at the hands of her lover, for example. The commentary is no less interesting, pairing up what we already know about these leading figures in the art world with wild estimations judged from how they dot their i’s and cross their t’s. A nosy note-writer’s dream.

The Art of Handwriting is at the Smithsonian’s Donald W. Reynolds Center for American Art and Portraiture until October 27.

Two handwritten letters side by side. The left is a formal note written in cursive on lined paper, while the right is a playful, doodle-filled letter with “Air Mail” stamps and sketches of a sun and a drink.
Above

Left: Georgia O’Keeffe to Cady Wells, Right: H.C. Westerman

A handwritten letter on stationery headed “Maxfield Parrish Windsor Vermont”. The cursive text is dated “December 4th ‘18” and is signed “Maxfield Parrish”.
Above

Maxfield Parrish to Martin Birnbaum

A collage of two handwritten letters on aged paper. The left page features a mix of black and red ink with the phrases “NYC is my “house”” and “today” repeated several times.
Above

Left: Hanne Darboven, Right: Marcel Duchamp

A handwritten letter on lined paper, filled with dense cursive script and several underlined sections. Marginalia and crossed-out words appear throughout, with a small geometric logo at the top left.
Above

Eero Saarinen to Aline Saarinen

Two handwritten notes on aged paper. The first reads “EVA – HELLO” above a simple line drawing of a face with rabbit ears, signed “RAY”. The second is a dense, handwritten letter addressed to “Dear galian”.
Above

Left: Ray Johnson, Right: Lee Krasner to Jackson Pollock

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About the Author

Maisie Skidmore

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Maisie joined It’s Nice That fresh out of university in the summer of 2013 as an intern before joining full time as an Assistant Editor. Maisie left It’s Nice That in July 2015.

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