These vibrant portraits by Hassan Hajjaj are taken from his ongoing Kesh Angels project in which Moroccan ladies dressed in veils and djellabah pose confidently on motorcycles, dripping in gaudy designer labels. Fusing aspects of traditional African studio photography with the glossy glamour of a high-fashion shoot, the images masterfully subvert preconceived notions of Arabic women.
The frame of each image is custom-built from recognisable everyday objects, from LEGO to Arabic lettering or repeat-patterns of cans of Fanta, so that his subjects are literally surrounded by the influence of branding. Fun and independent, Hassan’s biker girls offer us an entirely unique view of how youth, commerce and tradition meet in the streets of Marrakech.
- Danish illustrator Rune Fisker’s clean, windswept surrealism
- Filmmaker Alice Dunseath presents a meditative reflection on life
- Edinburgh graduate Jack Fletcher's beautiful woodcut illustrations
- There Is' ace new typographic projects for Wired and New York Times magazine
- Clase bcn's bright but elegant identity for a Barcelona concert hall
- Craig Gibson's photography is sincere and refreshing
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns
- Street photography shot on an iPhone during fake phonecalls by Jay Giampietro
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Should creatives ever accept unpaid work? We ask some seasoned experts
- We get a sneak peek of TASCHEN's new book documenting 50 years of Pirelli