Beyoncé commands a level of awe and respect unlike almost any other prominent cultural figure, but in Hattie Stewart’s world nobody gets a free pass. And so for her first UK solo show opening next week at Brighton’s No Walls Gallery, the iconic blue Gentlewoman cover featuring the superstar comes in for Hattie’s trademark doodle-bombing (although it appears slightly more respectful than the treatment meted out to some other cover stars by her pen).
Hattie’s work appeals on two levels; her weird and wonderful additions to mainstream magazine covers are visual treats; by turns funny, iconoclastic and aesthetically arresting. But despite her self-effacing “professional doodler” moniker, I can’t help feel that there is something else going on here; a playful but fundamentally provocative exploration of media manipulation and female role models.
Hello Cheeky includes a host of new work and should further cement Hattie’s place at the top table of young British creative talent.
The exhibition runs from 28 March until 26 April at No Walls Gallery, Brighton.
- Designs for a tarot deck celebrating black stars and overseen by Jodorowsky
- Ewoudt Boonstra's new film looks at ideas, beer, pretzels and the internet
- Peter Steinhauer's colourfully symmetrical Singapore apartment blocks
- Danish illustrator Rune Fisker’s clean, windswept surrealism
- Filmmaker Alice Dunseath presents a meditative reflection on life
- Edinburgh graduate Jack Fletcher's beautiful woodcut illustrations
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns
- Street photography shot on an iPhone during fake phonecalls by Jay Giampietro
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Should creatives ever accept unpaid work? We ask some seasoned experts
- We get a sneak peek of TASCHEN's new book documenting 50 years of Pirelli