Beyoncé commands a level of awe and respect unlike almost any other prominent cultural figure, but in Hattie Stewart’s world nobody gets a free pass. And so for her first UK solo show opening next week at Brighton’s No Walls Gallery, the iconic blue Gentlewoman cover featuring the superstar comes in for Hattie’s trademark doodle-bombing (although it appears slightly more respectful than the treatment meted out to some other cover stars by her pen).
Hattie’s work appeals on two levels; her weird and wonderful additions to mainstream magazine covers are visual treats; by turns funny, iconoclastic and aesthetically arresting. But despite her self-effacing “professional doodler” moniker, I can’t help feel that there is something else going on here; a playful but fundamentally provocative exploration of media manipulation and female role models.
Hello Cheeky includes a host of new work and should further cement Hattie’s place at the top table of young British creative talent.
The exhibition runs from 28 March until 26 April at No Walls Gallery, Brighton.
- Retracing and recreating historic reggae record sleeves with photographer Alex Bartsch
- David Wilson directs deeply moving film B.E.N. about using AI robots to tackle loneliness
- Art and About: Charlotte Trounce celebrates the architectural beauty of museums and galleries
- Riikka Laakso’s screenprinted zine is a tribute to Moomin author Tove Jansson
- Sandy Van Helden’s illustrations of contemporary culture
- Bompas & Parr explores the strange world of sploshing (NSFW)
- Kodak returns to its 1970s symbol, joining the retrobrand bandwagon
- Kodak unveils the Ektra: its first ever smartphone
- Working Not Working reveals the top 50 companies creatives would kill to work for
- William Knight's socially conscious portfolio of graphic design
- Juan Aballe’s photographs of pastoral landscapes filled with wanderlust
- Exclusive first interview with new UK Vice.com editor Jamie Clifton