It’s almost unthinkable that any of Henri Cartier-Bresson’s photographs could ever have gone unpublished. The father of modern photojournalism had such a natural and easy understanding of his craft that all of his images offer the viewer snippets of an intriguing story – a slice of everyday narrative – rendered with the kind of precision that hoards of photographers since have sought to mimic.
But in fact this is not the case. Until this month his sensational shots of the Vélodrome D’Hiver, from Paris 1957, have been lost to all but the most privileged eyes at Magnum. But this month they’re available for all to see in Rouleur 34.
Accompanied by an illuminating article on the Vél D’Hiv and a background on Cartier-Bresson himself the images offer an unprecedented look at Parisian velodrome racing and the accompanying glamour and spectacle – aspects that have been all but lost from today’s version of the sport. Even if bikes aren’t your thing you can’t fail to appreciate the remarkable skill of a photographic talent that has yet to be matched.
- Submit Saturdays: photographer and filmmaker Harry Israelson's bright, smart portfolio
- May Diary: where to go and what to see this month
- Crisp and vibrant design work from ECAL graduate Clement Rouzaud
- Portuguese illustrator Tiago Galo’s plump little characters are oddly charming
- Matthew Butcher launches the Flood House that will travel around the Thames Estuary
- Haunting train-simulator-based animation by Jack Featherstone for Occult Orientated Crime
- Philip Coppola spends nearly 40 years illustrating New York City’s Subway Stations
- LA studio Laundry creates amazing warped Simpsons idents for American channel FX
- Design Bridge creates new harp icon for Guinness
- Winning design for Tokyo 2020 Olympics unveiled
- Prince: 1958-2016
- Milton Glaser creates new look for Brooklyn Brewery