Originally Guest Posted by Jason Jules
My daily routine tends to start with a few hours working in the Hoxton Hotel. I’m not a big fan of the office environment, so I like to spend as much time as possible working in less formal spaces. The Hoxton Hotel is one of my favorite places and a real magnet for creatives from abroad coming through town. Each morning I encounter Benedict Radcliffe’s Dalston Jazz Car. A double ended, frontless car. It’s a conversation piece in more ways than one, as Ben’s idea is to not just get people to talk about the car as an art object, but also to encourage people to talk inside the car as well. I love it, if for no other reason than it’s an almost daily reminder for me that there are no real limits to the imagination.
- Nine vital nuggets about the hows and whys of being a project manager or producer – and why all the hard work is worth it
- Stars, drag queens, and the literati: Avedon and Warhol’s heroes and antiheroes
- Designer Morag Myerscough gives us a peek at her bookshelf
- Photographer Matthew Brown explores the forgotten details in a university campus
- First Dates for those who create: Studio Swine tells us about their working relationship
- Experimental Jetset, Build and others' war posters curated by Pentagram's Alex Brown
- Racy photography from the new issue of Odiseo
- VSCO develops new typeface and a symbol-based language as part of its rebrand
- When to wake up, what to drink and how to work: “how to live like a creative” unveiled
- How to beat creative block: one designer offers his invaluable advice
- DesignStudio rebrands the Premier League
- Meditation and creativity: should we believe the hype?