Guess who’s back, back again, guess who’s back, tell a friend! Excuse the Eminesque-intro but it only seems right to use early 2000s rap by way of introducing Ian Stevenson’s new show in Newcastle.
Described as exploring " the merciless self-consciousness of modern life", it showcases once again his constant ability to produce funny, silly, surreal and often intelligent artworks across a whole host of media. There’s slogans (“Three Word Slogan” is a particular favourite) models of geriatric superheroes, and weird photos like Kim Kardashian sporting a crudely-drawn dunces’ cap.
Like David Shrigley the simplicity of much of his work belies an engaged and nuanced critique of contemporary society, but over and above that it’s all great fun. As is the press release for this show in which he describes himself as “a professional man, secure in his sexuality and proud of his body” and we are told: “Ian’s surprisingly popular work has become a rallying point for slightly bitter people who struggle to take anything seriously… He’s only just started shouting at everyone and he’s got plenty more to say.”
We’re all ears Ian.
Made in Broken Britain is at The Outsiders Gallery until July 7.
- Standards Manual return with catalogue of 400 objects relating to New York City Transit
- Emma King's publication rewrites Orwell's "1984" using Donald Trump's tweets
- It’s a new dawn, it’s a new day – it’s Best of the Web!
- Bolade Banjo photographs the perseverance of Detroit’s student athletes
- Alex Grigg animates Steve Stoute’s homage to Biggie Smalls
- Billy Clark applies his graphic sensibilities to his minimal yet textured illustrations
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books