Woah. We just discovered Masha K’s work and now I don’t even know what my life has been until now. To me her drawings tell a story in which the world has been taken over by perspective-distoring chemicals and the already-contaminated children have been evacuated to far off lands where the plants are large and kindly, the owls bring light and the gravity levels are low. And it’s incredible.
We see a lot of illustration at It’s Nice That which is such a treat, but sometimes you really crave to be knocked sideways on to a different planet by someone’s work. I feel that Masha has sent me reeling into a chaotic limbo somewhere in between the feelings you get when you read Enid Blyton books or when you have a very strong urge to draw a picture. To think that there’s a whole pop up book just begging to be published on her website is a crime against bookmaking. If no one else publishes it, I bloody well will.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich