We have already had a swing through the many excellent offerings at The V&A for The London Design Festival but one which really stayed with us was Indiustrial Revolution 2.0 the Murray Moss curated 3D printed installations responding and reacting to some of the museum’s existing exhibits. In this video, Murray tells us why he was so honoured to be asked and what he hopes to achieve.
Subtitled How the Material World Will Newly Materialize the series of eight intricate, bold works were made by Belgian company Materialise using a painstakingly precise process. The show has a playful sense of humour and should do much to bring this under-appreciated artform to the attention of the mainstream museum-going public.
- The creative team behind John Grant’s post-apocalyptic world
- They have beauty, they have grace, they are Jack Mears’ ceramic dogs
- Caroline Tompkins deftly captures goggle marks, swim caps and foam floats
- Illustrator Jan Robert Duennweller's erratic style creates "visual headlines"
- Réka Neszmélyi's boundary breaking identity for Hungarian Bánkitó Cultural & Music Festival 2016
- Five things to remember as a young creative
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale