Few clothing collections can claim to be truly revolutionary (although many press releases will have a go) but Issey Miyake’s 1993 Pleats Please can justly be designated as such.Cut and sewn from fabric that is nearly three times bigger than the final pieces, the garments are fed into a pleats machine to combine texture and form in a beautiful way.
Whether it’s shirts, skirts, trousers or cardigans, the collection was a triumph of style and wearability, rendered in bright bold colours that added another dimension.
A new book published by Taschen tells the story of this extraordinary development in fashion technology with beautiful shots of the finished pieces across the various iterations displayed alongside lovely behind-the-scenes production images. It’s written by Midori Kitamura, a former employee of the designer who is thus perfectly-placed to give an interesting and insightful account of the Pleats Please range but as so often with Taschen this book’s appeal resides predominantly in the gorgeous visuals.
- Graphic designer Cecilia Serafini uses typography with vibrant panache
- London-based Osheyi Adebayo references his childhood in his retro graphic design
- Tristan Pigott paints “real contemporaries” in upcoming solo exhibition, Juicy Bits
- “The great thing about this book is you don’t have to read it”: sculptor Wilfrid Wood on his favourite books
- The return of the hovering art director: Nejc Prah visualises a day in the life of four art directors
- Hippolyte Cupillard’s film follows the dreamlike ascent of a mountain climber
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Carlota Guerrero depicts the female body as a canvas for Apartamento (NSFW)
- After Disney, Nickelodeon and Cartoon Network, Miranda Tacchia’s characters found life on Instagram
- How to go freelance: need-to-know advice from creatives who made it
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris