• Jack-top

    Jack Sachs’ Workspace

Illustration

Introducing: Boys and girls, meet illustrator Jack Sachs!

Posted by Maisie Skidmore,

Jack Sachs studied Illustration at Camberwell, graduating last summer full of youthful energy and with more than one string to his bow; his work ranges from the drawn and painted to digital animation, making him an excellent example of the versatility that can burst forth from the loins of a creative degree. He makes images about footballers, wizards, crisps and funny-looking people, with a stylistic tendency to lean towards the weird and grotesque – so he fits right in on It’s Nice That. We interviewed Jack about his working day, and you can have a read below!

  • 4

    Jack Sachs: Football

Where do you work?

I recently finished working for an illustration agency, where I was making drawings for Key stage 2 maths books, which was fun. I’m now in the early stages of some freelance work for FoxADHD which I’m pretty excited about! Currently I’m lucky enough to have a big empty flat as a studio/home. I think this is slightly wasted on me, though, because I make the majority of my work at a desk in the corner.

How does your working day start?

If I’m making work at home I’ll find an excuse to leave the house and come back before I start; I’ve always really disliked getting out of bed and sitting straight down at my desk. I like to do emails and serious stuff away from where I make work. Recently the Barbican library has been my destination of choice.

How do you work and how has that changed?

Just before I started my final year at university I had a pretty drastic injury involving a shard of glass and a severed nerve in my wrist, I was unsure if I was going to be able to hold a pen again so I started experimenting with motion graphic software, specifically Cinema 4D & Maya, which I’d always had an interest in. I learnt my way around it through awkward YouTube tutorials and a short evening class at Morley College in south London.

Luckily I made a full recovery so I’m able to draw again, but I would say that working in motion graphics has had a huge impact on my output, and where I see my work going. When I first started using rendering software I found it difficult to make work that I could relate to my drawings and paintings. It was like learning to walk again. Now as I’ve learnt more and more about this type of software I’ve been making work that feels like my own, and isn’t limited by technical ability. My advice is to set yourself small projects and learn by doing!

Where would we find you when you’re not at work?

Watching How It’s Made or putting googly eyes on things.

Would you intern for yourself?

I’m going to say yes. My work varies loads from image to image so every day would be different, although my doppelganger intern would probably get quite bored when I’m making work on the computer, and I’m not a huge fan of hot drinks.

  • 6

    Jack Sachs: Paintings

  • 3

    Jack Sachs: Paintings

  • 1

    Jack Sachs: Drawings

  • 2

    Jack Sacks: Paintings

  • 5

    Jack Sachs: Football

  • 7

    Jack Sachs: Sketchbook

  • New-1

    Primitives: A Race to the Finish

  • New-2

    Primitives: A Friendly Bee

  • New-3

    Primitives: Imminent Danger

  • Flooding

    Flooding

Ms-300

Posted by Maisie Skidmore

Assistant Editor Maisie joined It’s Nice That fresh out of university in the summer of 2013 and has stayed with us ever since. She has a particular interest in art, fashion and photography and is a regular on our Studio Audience podcast.

Most Recent: Illustration View Archive

  1. Karolisstrautniekas-adobe-int-list

    For a small country with a small creative scene, we’ve covered Lithuanian artists and designers more times than you might expect. There’s clearly something in the water over there and one of our absolute favourite finds in Vilnius-based illustrator Karolis Strautniekas. It’s been more than a year since we last sung his praises so it seems right and proper to check back in with him.

  2. Marion-fayolle-coquins-int-list

    When I sat down to write this article I was planning to discuss Ardéchoise illustrator Marion Fayolle’s impressive career to date; her numerous books for the likes of Nobrow and Magnani Editions; her editorial work for The New York Times, her textile designs for Cotélac and Kiblind and of course her very own illustration publication Nyctalope which she co-runs with Simon Roussin. And then I remembered she did a brilliant book of saucy drawings, Les Coquins, and decided to focus on that instead.

  3. Nick-gazin-run-the-jewelslist

    Vice’s New York art editor and illustrator Nick Gazin tells us his ideal clients at the moment are “adult film actresses.” He once worked up some logo designs for Andy San Dimas, the US porn star, and he reckons he’d “be really into doing more art for adult film actresses. I just want to draw naked ladies.”

  4. Karansingh-mop-int-list

    The glorious coming together of pattern, shape and colour makes for a joyous experience and that’s why print designers are held in such high regard. Last week we commissioned Animade to turn three eye-poppingly good Pucci x Orlebar Brown patterns into trippy GIFs, this week we’re turning our attention to profiling creatives we believe are among the best around when it comes to working in this area. We are proud to present these #mastersofprint.

  5. Jg-street-demon-int-list

    Got the mid-week hump-day gloom, friend? Allow me to do away with it for you with a bumper-pack of animated GIFs by the talented hand of illustrator and animator Julian Glander. He once came up with a clever app which transformed colour data into sound for an eight-note synth and made us all into synaesthetes for a day, which was intricate and complicated enough to warrant a dose of fun to follow. A gang of tiny blob men whirling their arms over their heads at impossible speeds? Yes, please. A tiny man on a bicycle riding in tiny circles forevermore? Go on then. Great things are in the pipeline for this master of 3D shapes, bulgy eyeballs and jumping hamburgers. You mark our words.

  6. Tim-brown-int-list

    As a one-time news journalist (albeit at a very low level) I have a real affinity for reportage illustrators. George Butler is one of the best around and this new film by Tim Brown which follows him on a three-week trip to Afghanistan provides a great insight into his finely-honed talents. On his first trip to the war-torn country George was embedded with British troops, but he hungered to draw the locals whose lives had been so irrevocably changed over recent years. “I was always aware that over the walls there were millions of people getting on with their lives,” he says.

  7. Angiewang-int-main

    Angie Wang is FANTASTIC, she’s hands-down my absolute favourite new illustrator. Her work is an explosive, jelly bean-coloured tangle of cool girls, comic books, hair, nature and clouds: dreamy waves of cuteness and attitude floating along on the backs of ghosts. Some of her drawings may appear silly and adorable, but underneath the fuzziness is a melancholy wisdom of the world around her. She has an ability to capture what only the best kinds of comics do: aspects of life that are loving, scary, otherworldly and magnificent.

  8. Zeloot-int-list-2

    Look at the giant bulbous characters! The boy clamping his hand between his own giant gnashers! The tiny hairy willy floating in mid-air with a bunch of other body parts! This collection could be the work of one woman only and that woman is Eline Van Dam, aka Zeloot, a Dutch illustrator with a taste for the funny, the weird and the generally brilliant. She’s been hard at work of late with a stack of commissions for the likes of Vrij Nederland and The New York Times among others, all of whom are thoroughly enamoured with her unique style. As are we.

  9. Barzilai-int-list

    If you’re currently experiencing some love-related dramas allow me to gently suggest you don’t take them to Pauline Barzilaï for sorting. The French illustrator’s new project Les Peines de l’Amour, a sweet illustrated series on rose pink paper, takes a great sledgehammer to tender affairs of the heart, and smashes them all to pieces with a brutally funny satirical edge.

  10. Die-katze-int-list-2

    You don’t really see them in the UK anymore but there was once a time when fag machines populated bars, clubs, railway stations, street corners and children’s swimming pools so that everyone could readily get their hands on a dose of sweet lady nicotine at a moment’s notice. There’s still a few lingering in Switzerland though, so Daniel Peter and Alice Kolb have found a more family-friendly and creative use for them.

  11. Marta-monteiro-int-list

    Remember Marta Monteiro, whose series of Lilliputian heroines effectively encaptured all of our best Borrower-themed dreams last summer? The illustrator based in Penafiel, Portugal been busy at work since we last checked in, creating all manner of editorial illustrations for the likes of The New York Times and the Washington Post, not to mention some self-initiated projects which have materialised into beautiful books, like Sombras. Her work gives the impression of an illustrator still refining her style, which in her instance is immeasurably exciting, lending her a versatility and an authenticity few manage to successfully pull off. We’re especially enjoying the piece for The Man Who Knew It All, a giant-headed polka-dot dress-wearing lady borrowing the brain of another.

  12. Moonhead-book22-list

    It’s so reassuring to hear that a job at a top ad agency can be secured from an interview on no sleep, feeling “a bit spaced out.” While it’s possibly not the best career advice, that’s exactly how Andrew Rae landed a role at BBH, he told us in his talk at Offset festival. We’re huge fans of Andrew’s work, which over the years has included creating characters for the Mighty Book of Boosh, beautiful botanical illustrations and the wonderful, heartwarming and psychedelic graphic novel Moonhead and the Music Machine.

  13. Jasongalea-int-main

    I came across Jason when I was ogling at this poster for the Panache Spring Fling featuring White Fence, yet another ear-watering gig that I won’t be able to make it to because it’s across the Atlantic. Panache is a boutique booking agency in LA which represent bands like Ty Segall, Chris Cohen, Jacco Gardner, Fuzz, Juliana Barwick, U.S Girls…I could go on. In keeping with its roster it commissions the likes of Melbourne-based visual artist Jason Galea to make the posters and sleeves look as cool and apt as possible. Jason clearly knows what he’s doing with these posters, record sleeves and animations. This is the work of someone who has studied the music visuals of the past, sat around a Ouija board, reincarnated them, and smoked the spirits up in an acid-green infinity bong before splurging them out as art. It’s okay to rip stylistic qualities from eras gone by, but only if you, like Jason, genuinely love the music, and know exactly what you are doing.