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An abstract image of blurred, bleeding colours. A deep blue top fades into a hazy, golden yellow centre and a dark, shadowed base.

Jason Shulman captures entire movies in a single image

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Date
3 May 2016

London-based sculptor Jason Shulman has captured a range of classic films including Fantasia, Citizen Kane and 2001: A Space Odyssey in a single image. “There are roughly 130,000 frames in a 90 minute film,” says the artist. “Every frame of each film is recorded in these photographs. You could take all these frames and shuffle them like a deck of cards, and no matter what the shuffle, you would end up with the same image I have arrived at. Each of these photographs is the genetic code of a film – its visual DNA.”

The resulting images are textural blurs, some vibrant and luminous others a gloomy set of shadows. In photographs such as Alfred Hitchcock’s Rear Window ghostly figures can be made out. “You can actually see Kimmy Stewart in his wheelchair against the fragmented lines of window frames,” says Jason.

The new work, Photographs Of Films will be on display at The Cob Gallery from 12 May.

An abstract, blurred image with layered, translucent textures in shades of grey, blue and muted brown. Faint architectural shapes and the word “Hilton” are visible through the hazy, overlapping forms.
Above

Jason Shulman: 2001: A Space Odyssey (1968)

A textured grey background with a weathered, industrial feel. Smudges, scratches and faint geometric patterns create a layered, atmospheric effect.
Above

Jason Shulman: Citizen Kane (1941)

An abstract painting featuring layered, translucent washes of blue, green, and ochre. Blurred shapes and organic forms overlap across the canvas, creating a hazy, atmospheric effect.
Above

Jason Shulman: Guided Muscle (1955)

An abstract image of a textured, weathered surface. Muted tones of brown, grey and blue blend together with vertical streaks and scratched details.
Above

Jason Shulman: Rear Window (1954)

An abstract image of blurred, blending colours. Deep blues and greens at the top transition into soft purples and earthy browns at the bottom.
Above

Jason Shulman: The Wizard of Oz (1939)

A blurred, atmospheric image in shades of grey and muted brown. A dark, indistinct figure lies flat on their back across the lower centre of the frame.
Above

Jason Shulman: Under the Skin (2013)

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About the Author

Owen Pritchard

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Owen joined It’s Nice That as Editor in November of 2015 leading and overseeing all editorial content across online, print and the events programme, before leaving in early 2018.

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