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An open black and white comic book. The left page features a collage of panels and bold typography reading “Rapid feelings”, while the right page shows a group of small figures on a platform under a cloudy sky.

French graphic designer Jeremy Piningre and his Hans Arp-inspired visuals

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Date
31 January 2017

Graphic designer Jeremy Piningre studied at the Art Décoratifs de Strasbourg and attributes his inspirations to one of the city’s most famous artistic icons. “My aesthetic has slipped between a Hans Arp sculpture and an instruction leaflet,” he explains. “I recall basic comic codes as postmodern shapes.”

Combining surreal and cartoonish imagery with layers of type, Jeremy’s work is busy but carefully brought together using the design devices of a comic strip. “I’m obsessed with composition and structures. When I was in school I began studying graphic design instead of illustration because it was all about structuring images.”

We first spotted his work in poster format, as one of the sterling collection of graphics produced for Graphic Design Festival Paris. His portfolio spans illustrations for magazines such as L’Incroyable and Médor, comics with publishers L’Association, and zines, including one he produced with Théo Mercier for his exhibition at MAC Marseille, illustrating his sculptures. Recently he’s published a monthly comic for contemporary art website We Find Wildness, and another for Animal Press called Radikal Feelings.

He’s also produced album covers for Juliette Armanet and Sexy Sushi, and uses music as a key part of his creative process. “When I’m designing I sit on a chair listening to a lot of music. It could be hard style techno like Drame Nature or romantic French music like Mrostga. Then drawing structures grow in my head, and when everything is clear and solid I put it on paper.”

An open comic book showing two pages of blue and white illustrations. The left page features a large title that reads “L’HISTOIRE DE L’ART” and a figure standing on a plinth.
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Jeremy Piningre

A black and white comic page featuring a large, mottled snake-like creature that winds across the panels. Text bubbles read “Drawings can save ourself” and “But only for a few moment”. The bottom of the page contains a banner with the text “A Bad Karma Comix presented by” and “Gros Calin, the snake from the eponyme novel writing by R. Gary”.
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Jeremy Piningre

A graphic poster in neon green and black. A large black silhouette of a figure is layered over a wireframe globe, with a list of names and the text “Une proposition du Syndicat Magnifique” below.
Above

Jeremy Piningre

An illustration of two teal-coloured figures against a purple brick wall. A smaller figure with a black bob haircut leans back against a taller, muscular figure. A banner at the bottom reads “LOVE STORY”, while vertical text on the right reads “JEREMY PININGRE / A BAD KARMA COMIX”.
Above

Jeremy Piningre

A blue and white collage poster reads “PARKINGSTONE III” across the top. It features a mix of manga-style illustrations, two tyres with eyes, and a line-up including “Victor Tricard” and “James H”. The bottom border lists the venue and date as “LE CHINOIS • 22 AVRIL 2016”, with the event running “22H UNTIL THE END OF THE WORLD”.
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Jeremy Piningre

A blue and white illustration divided into panels with abstract, flowing shapes and geometric lines. A banner at the bottom reads “Pavé cherche flic <3”.
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Jeremy Piningre

An illustration in purple, pink and green. A person with a worried expression looks on from the top panel, while the main scene below shows abstract shapes and foliage. A banner at the bottom reads “POURTANT LE MYSTÈRE VERDURE”.
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Jeremy Piningre

A black and white comic strip. In the top panel, a small figure sits at a desk with a speech bubble that reads “Je vais plutôt me lancer dans l’écriture d’un roman inachevé”. Below, a giant pencil leans across the frame, pointing towards a piece of lined paper. Two further speech bubbles read “lorsque j’aurais fini” and “je fumerais une clope et je l’appellerais”.
Above

Jeremy Piningre

A black and white manga page titled “EPISODE 2”. Two panels show a close-up of two figures leaning in as if to kiss, surrounded by speech bubbles in French. Below, a row of small, stylised characters watch the scene with expressions of excitement.
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Jeremy Piningre

A yellow spiral-bound notebook with the words “Terrific Fun” written in a loose, black script. The cover features several abstract, black-and-white ink illustrations scattered across the page.
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Jeremy Piningre

A black and white illustration of a desolate landscape with a large, ink-blotted globe in the background. A speech bubble reads “Ouais, désolé”. At the top, a banner reads “En des temps incertains sur une terre meurtrie et désolée”. In the foreground, a stack of books sits beside jagged debris and a discarded bottle.
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Jeremy Piningre

A graphic poster in red, black and white reads “THE THRILL IS GONE PERFORMANCE”. Below, text credits Theo Mercier Actoral and Le Cabaret Aleatoire. The central illustration features a surreal landscape of tyres, stone-like shapes and a tall black pillar. Red speech bubbles name the performers “RBK Warrior”, “Jacques” and “Flavien Berger”. At the bottom, the date “29 SEPTEMBRE 22H – 2H” is listed above a venue address in Marseille.
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Jeremy Piningre

A black and white illustration of a figure reflected in a large, tilted mirror. Handwritten text in boxes reads “My life is a broken mirror” and “and the fragments are scattered around.”
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Jeremy Piningre

A black and white comic strip featuring a stylized, long-limbed figure and a smartphone with a face. A text box at the top reads, “This month, Touch Me and his friends are discovering the world of art!”
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Jeremy Piningre

A black and white comic strip featuring anthropomorphic animals in an art gallery. A fox-like figure speaks to a cat, with speech bubbles reading “MIAAAAAAAAAWW” and “HK HK. YOU KNOW MY SWEET ABSTRACT PAINTING FRIEND?”. The scene includes abstract paintings and a sign that reads “RISOTTO GALLERY”.
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Jeremy Piningre

A black and white comic strip features a rat-like creature standing beside a framed painting. Text at the top reads “WE ARE SAVED ! IT IS NOT OVER SO WE TOTALLY CAN HAVE A SICK AND SAD ENDING A SOB SOB STORY BY JEREMY PININGRE”.
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Jeremy Piningre

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About the Author

Jenny Brewer

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Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. jb@itsnicethat.com

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