London-based illustrator Jess Wilson has been on our radar for some time. We’ve seen her work at shows, admired her live art at events and featured some beautiful prints she’s sent us in Things. But we’ve never done a fully-formed song and dance about her and her work. Until now! Jess makes fantastically engaging images with whatever materials she can get her hands on; from coloured pencils, crayons, pastels and pens, to ink, paint, screen print and temporary tattoos.
What’s particularly great about Jess’ work is the amount of energy she manages to pack into each drawing. Every one is loaded with frantic energy, scribbled with what seems like a fiendish urgency. In spite of that her drawings are remarkably cohesive, striking a balance between being rough and ready and considerately composed.
- Reactions to the referendum and our weekly Best of the Web
- Ben Hill and Daniel Oeffinger offer helping hand on Bucks' new animated spot for Cree
- Kristen Liu-Wong’s wild fluoro illustrations of empowered women
- Thoughtful composition and colour blocking in Martin Steiner’s sleek portfolio
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Artist Kirsty Harris revisits the CND protests from a personal perspective
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- World’s “ugliest” Pantone colour 448C is being used to deter smokers
- Ten of our favourite collage artists on Instagram
- Creative industries make last attempts to sway EU referendum voters
- North evolves Tate identity to be more adaptable
- Monotype unveils its redesigned Transport for London typeface, Johnston100