Jochen Gerner’s work is difficult to place, not least because a lot of it’s about displacement. Blacking out (and censuring?) old comics, covering pages with coloured patterns, turning sequential art into something abstract and taking well known images from the history of art, zoning in and reconfiguring them, Gerner is an illustrator and cartoonist dedicated to doing something different. Aa a member of OuBaPo (Ouvroir de bande dessinée potentielle) a group using formal constraints to push the boundaries of comics, he’s part of a movement seeing and creating comics in a new way.
We’ve featured his varied work before, and to celebrate his current solo exhibition, Oil chloroform, at My.monkey gallery in Nancy, France, we thought we’d take a closer look at some of his most recent output.
Oil chloroform: exhibition of Jochen Gerner is on at My.monkey until 29 March.
- Curator Shonagh Marshall takes us through the highlights from Hair by Sam McKnight
- Yeji Yun’s imaginative zine combines frozen lands, whales and cocktails
- Zhang Kechun encapsulates the oblivion of China's mysterious Yellow River
- Artist Anna Valdez brings her eye for detail to digital painting
- Bold in its broadness, the work of Dave Singley
- Córdova Canillas seek inspiration between nostalgia and obsolescence for C de C annual
- Reasons Not To Do Graphic Design by Yotam Hadar
- Nostalgia in branding: top design studios analyse the NatWest and Co-op retrobrands
- Google and Monotype launch Noto, an open-source typeface family for all the world’s languages
- The only way is ethics: what are the moral obligations of a graphic designer?
- Rachel Levit illustrates contemporary relationships in new book
- Creative agency INT Works relaunches as Anyways, with a playful graphic identity