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An illustration of a surreal, multi-level landscape in blue, orange and white. People lounge by a pool where a giant head and hand emerge from the water, while others play tennis and drive cars above.
An illustration of a surreal, multi-level landscape in blue, orange and white. People lounge by a pool where a giant head and hand emerge from the water, while others play tennis and drive cars above.

Johanna Walderdorff's illustrative eye for the absurd

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Date
18 October 2016

Johanna Walderdoff is a German illustrator with an astute eye for the absurd. After studying Illustration at Middlesex University, Johanna continued to work as an illustrator and graphic designer, but over the past months has developed an intriguing new style.

“Just recently I moved to Leipzig” she explains, “Germany’s boomtown as many call it right now, and I’m enjoying the city’s artistic atmosphere and focusing exclusively on my illustrations.” Johanna’s decision to divert her concentration to illustrative work has had very exciting results. Her pieces are large and characterful, humorous in their warped inner workings. Take her piece Goat Eater, a large illustration landscape of a poolside resort, depicts its residents resting and dancing, all in the nude, but there’s an elephant in the room – a giant head eating goats. Johanna says this is inspired by elements of everyday life: “My work is an output of all the things I absorb daily, at the moment by reading Richard Brautigan, listening to Harry Nilsson and loving the architecture of Californian case study houses.”

Mixing Chris Simpson-like references with a delicious colour palette, how peculiarly comic Johanna’s work has become is fantastic in its nonsense. In terms of narrative we can’t imagine what she’ll come up with next.

An illustration of six figures riding white horses across a bright yellow background. The yellow shape forms a silhouette of a landscape with a building on the horizon.
Above

Johanna Walderdorff

An illustration of a surreal blue landscape featuring a winding yellow wall. People ride in pink cars, on motorbikes, and in swan-shaped boats, while a giant floating head and disembodied hands drift in the water. A small island contains a pink pavilion and a pool with a sign that reads “Goldfish 25”.
Above

Johanna Walderdorff

An illustration of a small, vintage caravan parked at the bottom of a light blue background. Above it, 27 fried eggs of various shapes and sizes are scattered across the page.
Above

Johanna Walderdorff

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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