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Two black and white posters are displayed side by side. The first is a graphic design poster with bold, overlapping typography that reads “Journée d’info” and “Infotag”, featuring a green botanical element. The second poster shows a high-contrast photograph of two boxers in a ring, with a typographic layout below listing names including “Monika Müller” and “Michel Kiwic”.

Confident, brooding poster designs from Swiss studio Johnson / Kingston

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Date
10 November 2015

Ivan Weiss and Michael Kryenbühl met in 2006 while studying in Lucerne, but it wasn’t until 2011 that they formed their studio Johnson / Kingston. That was after several years of collaborating, which had already taken them through their studies and the Swiss Design Awards, winning them a six-month residency in New York. “After several projects we did together it was pretty obvious that we inspire each other,” they tell me. “Together we’re able to find new ways [of working] neither of us could come up with alone.”

The studio’s output has the strong edge that often goes hand in hand with Swiss design. “In our work as well as in our teaching we are engaged with exploring experimental and contemporary forms of graphic design,” Ivan and Michael explain. In bold, brooding posters or monochrome editorial design or typefaces, the duo’s visual language is confident and ever so slightly insurgent.

Their poster work in particular stood out for its variety and scope, encompassing alternative music festivals, posters for Swiss tourism, cultural exchange between Japan and Switzerland, exhibitions, club nights and concerts.

A black and white collage of jagged rocks layered over a white document. Legible text includes the date “1806”, “Bergsturz Goldau 1806” and “Gedenktag 2016”.
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Johnson / Kingston: posters

A bold, abstract poster in red, black and grey with fragmented geometric shapes. Large red text reads “ROCK WORLDWIDE” and “23.–31.1”, with “ROTE FABRIK ZURICH” appearing at the bottom.
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Johnson / Kingston: posters

A black and white typographic poster for the “B-Sides Festival”. The top half features bold, distorted lettering and the website “www.b-sides.ch”. The bottom half shows a red, cloud-like abstract shape over a list of performers and the locations “Sonnenberg”, “Kriens” and “Luzern”. The dates “12.” and “14.” are displayed on the right.
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Johnson / Kingston: posters

A high-contrast black and white illustration of a distorted, organic figure emerging from a white pot. A large, ribbed dome shape sits atop the figure's head like a hat. Vertical text on the left reads “Subject: Lunch at Restaurant Reussfahre / Lucerne / Switzerland”.
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Johnson / Kingston: posters

A red and white typographic poster for “Oh See See A Festival”. A large, white eight-pointed star sits in the centre, overlapping bold, distorted lettering. Smaller text at the bottom lists the dates “17.–19. Juli 2014” and a line-up of performers.
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Johnson / Kingston: posters

A graphic poster in blue, black and white featuring a potted plant framed by bold, geometric blue lines. Text at the top reads “Werkbeiträge ’14” and “Kanton und Stadt Luzern”, with sections for an “Ausstellung” and “Ubergabe”.
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Johnson / Kingston: posters

A graphic poster featuring a fragmented, abstract collage of grey architectural shapes against a bright green background. Bold white text at the bottom left reads “WERK-BEITRAGE KANTON LUZERN ‘15”.
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Johnson / Kingston: posters

A bold typographic poster for a music series at “Sommerbühne Rote Fabrik Ziegel + Oh Lac”. The layout features white text layered over abstract red and blue shapes on a black background. The line-up includes “Genghar”, “Swans”, “The Black Box Revelation”, “Len Sander”, “Kummer – Buben” and “The Sonics”. Dates range from “8. Juli – 4. Aug.” 2015.
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Johnson / Kingston: posters

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About the Author

Alexander Hawkins

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