Another intriguing part of our trip to Detroit came via a presentation from artist/incurable romantic Jonathan Brand. To pay for an engagement ring, he was forced to sell a 1969 Ford Mustang he had spent years restoring, but even marital bliss couldn’t wrench his thoughts away from the car he had loved and lost. So he set about recreating it in painstaking detail, using paper and a colour printer, working from the memories of his beloved vehicle. The results are staggering in terms of technical prowess, accuracy and the emotional pull of the final piece – the paper acting as a metaphor for the fragility of love for cars and/or people.
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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

