Born in 1942 in Buenos Aires, José Muñoz has been making extraordinary illustrations and comic books since his early twenties, when he began assisting Francisco Solano López, a contemporary master of Argentine comics. Since that time he’s moved across Europe, living in London, Barcelona and finally settling in Italy where he still resides today, writing and illustrating his own stories and those of long-time collaborators for international publication.
José’s work can broadly be categorised as ‘painterly’. His expressive use of brush and ink maintain a fluidity of form and constructive use of negative space that many have come to admire in mainstream comic artists like Frank Miller. Unlike Miller, José’s images deal very much with the real world; specifically with the 1940s and 1950s, his characters all suited in bold chalk stripes and panama hats, lurking suspiciously in the shadows.
To this end his work fits perfectly with Albert Camus’ seminal novel L’Étranger which he was invited to illustrate in 2012. The combination of rich, brooding imagery, composed of large swathes of black ink, and a text whose sweltering intensity is legendary results in an incredibly visceral literary experience; one in which the balance of image and text is unprecedented. Sure, it’s in French, but it’s a new year, so why not learn a new language and enjoy one of the best illustrated works of classic fiction we’ve ever had the pleasure of holding in our hands.
- All of human life was there: welcome back to the Best of the Web
- Jody Barton's passionate and political work masters many disciplines
- A Hail Mary pass: how to win the ads at the Super Bowl
- February diary: Where to go and what to see
- Hey Studio’s athletic and geometric typeface for ESPN’s magazine
- Karl Hab’s hypnotic photographs taken out of a plane window
- The importance of creative education: why making is as important as maths, reading and science
- Why Fonts Matter, and how they impact your mood
- How to beat creative block: one designer offers his invaluable advice
- Pentagram’s dynamic and shifting identity for a Serbian digital arts festival
- PETA’s x-rated Super Bowl advert banned from TV (NSFW)
- Bureau Mirko Borsche works with Nike Basketball on a new graphic language