Julie Chen, book artist and book arts educator, founded Flying Fish Press in 1987 in Berkeley, California, and has been producing unbelievably amazing bookworks ever since. Exploring the sculptural and interactive potential of the book form, she challenges and literally re-shapes our notion of what a “book” can be, both writing and illustrating her projects, endowing both textual and visual elements with further layers of meaning by the way in which they are physically assembled.
There is usually a celebration of the reader-as-user, with interchangeable structural elements incorporated into its meaning. Personal Paradigms works like a board game, while True to Life allows the reader to make a selection from a range of options. Full Circle and Glimpse, meanwhile, have little windows which reveal the various combinations of words and images, as chosen by the viewer. Chen often designs digitally, but each work is letterpress printed and hand-bound. The result is a playful array of limited-edition publications that celebrate craft and physical presence as much as the fluidity of meaning.
- Submit Saturdays: Should you create a portfolio website when you’re a student?
- Reactions to the referendum and our weekly Best of the Web
- Ben Hill and Daniel Oeffinger offer helping hand on Bucks' new animated spot for Cree
- Kristen Liu-Wong’s wild fluoro illustrations of empowered women
- Thoughtful composition and colour blocking in Martin Steiner’s sleek portfolio
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- World’s “ugliest” Pantone colour 448C is being used to deter smokers
- Ten of our favourite collage artists on Instagram
- Creative industries make last attempts to sway EU referendum voters
- North evolves Tate identity to be more adaptable
- Monotype unveils its redesigned Transport for London typeface, Johnston100