Julien Lelièvre's type-led identity work for the Musée Picasso Paris
I always think designing an identity for an art gallery sounds like a dream commission but then you are targeting an audience that is more visually literate than say mayonnaise-buyers and that must bring an added pressure. It’s a challenge Julien Lelièvre clearly relishes and the French graphic designer has proposed bold, communicative identities for both the Musée Picasso Paris and Palais de Tokyo in recent years.
I came across Julien’s work for the former over on Visuelle where the expressive Alphabet typeface and flexible iterations of the MPP initials combine for a look and feel that reflects the aesthetic experimentation of Picasso without trying too hard.
A delve through Julien’s (mightily impressive) portfolio revealed that a few years ago he undertook a similar commission for the Palais de Tokyo, working with Helmo on the early stages of the studio’s pitch, in which Julien shows off his flair for type-led treatments.
Julien Lelièvre: Musée Picasso Paris
Julien Lelièvre: Musée Picasso Paris
Julien Lelièvre: Musée Picasso Paris
Julien Lelièvre: Musée Picasso Paris
Julien Lelièvre: Musée Picasso Paris
Julien Lelièvre: Palais de Tokyo (With Helmo)
Julien Lelièvre: Palais de Tokyo (With Helmo)
Julien Lelièvre: Palais de Tokyo (With Helmo)
Julien Lelièvre: Palais de Tokyo (With Helmo)
Julien Lelièvre: Palais de Tokyo (With Helmo)
Julien Lelièvre: Palais de Tokyo (With Helmo)
Julien Lelièvre: Palais de Tokyo (With Helmo)
Julien Lelièvre: Palais de Tokyo (With Helmo)
Julien Lelièvre: Palais de Tokyo (With Helmo)
Julien Lelièvre: Palais de Tokyo (With Helmo)
Julien Lelièvre: Palais de Tokyo (With Helmo)
Julien Lelièvre: Palais de Tokyo (With Helmo)
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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

