On the list of things I know nothing about, horse racing falls between haberdashery and horticulture (yeah, it’s an oddly anachronistic alphabetical list ok?) but that didn’t stop me loving Just So’s new film for Dunhill. It tells the story of Sam Waley-Cohen, who in 2011 became the first amateur jockey to win the prestigious Cheltenham Gold Cup and the subsequent quest to defend his title. But For The Love is actually about much more than that, touching on themes of loss, passion and pressure and it’s shot with mesmerising cinematic flair, packed full of gorgeous shots.
The documentary will air on Channel 4 this Saturday and is another interesting milestone for branded content with the film more than standing up on its own merits as well as chiming in with Dunhill’s brand values.
- My First: Colophon and Sophie Mayanne talk about the themes of their book, Twenty-Two
- Patrick Kyle uses analogue and digital techniques in these pared-back illustrations
- Audrey Weber’s eccentrically enlarged figurative illustrations
- Hanne Berkaak’s deeply moving and sensitive animation tackling self-harm
- The Smudge: Clay Hickson and Liana Jegers launch publication in reaction to US presidential result
- Set designer Gary Card on the importance of being a chameleon
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio